Europe
Types of European folk dance include:
- Polonez (Polish),
- clogging,
- English country dance,
- Barn dance
- Céilidh
- international folk dance,
- Irish dance,
- Maypole dance,
- Morris dance,
- Turkish dance,
- Welsh Morris Dance,
- Nordic polska dance,
- Ball de bastons,
- square dance, and
- sword dance.
Sword dances include Longsword dances and rapper dancing. Some choreographed dances such as contra dance, Scottish country dance, and modern Western square dance, are called folk dances, though this is not true in the strictest sense. Country dance overlaps with contemporary folk dance and ballroom dance. Most country dances and ballroom dances originated from folk dances, with gradual refinement over the years.
People familiar with folk dancing can often determine what country a dance is from even if they have not seen that particular dance before. Some countries' dances have features that are unique to that country, although neighboring countries sometimes have similar features. For example, the German and Austrian schuhplattling dance consists of slapping the body and shoes in a fixed pattern, a feature that few other countries' dances have. Folk dances sometimes evolved long before current political boundaries, so that certain dances are shared by several countries. For example, some Serbian, Bulgarian, and Croatian dances share the same or similar dances, and sometimes even use the same name and music for those dances.
International folk dance groups exist in cities and college campuses in many countries, in which dancers learn folk dances from many cultures for recreation.
Read more about this topic: Folk Dance
Famous quotes containing the word europe:
“The heritage of the American Revolution is forgotten, and the American government, for better and for worse, has entered into the heritage of Europe as though it were its patrimonyunaware, alas, of the fact that Europes declining power was preceded and accompanied by political bankruptcy, the bankruptcy of the nation-state and its concept of sovereignty.”
—Hannah Arendt (19061975)
“Well then! Wagner was a revolutionaryhe fled the Germans.... As an artist one has no home in Europe outside Paris: the délicatesse in all five artistic senses that is presupposed by Wagners art, the fingers for nuances, the psychological morbidity are found only in Paris. Nowhere else is this passion in questions of form to be found, this seriousness in mise en scènewhich is Parisian seriousness par excellence.”
—Friedrich Nietzsche (18441900)
“The people of Western Europe are facing this summer a series of tragic dilemmas. Of the hopes that dazzled the last twenty years that some political movement might tend to the betterment of the human lot, little remains above ground but the tattered slogans of the past.”
—John Dos Passos (18961970)