Performance
Fluminense Football Club took part in 36 of the 38 official Serie A championships organized in Brazil since 1971. Since the number of participating teams has changed considerably over time, any accurate performance measurement must take this variable into account. In the two tables below, the performance field for a given position p in a universe of n teams was calculated using the formula:
This allows for an asymptotic limit of 100%, since p will never be zero.
Year | Position | Participants | Performance | Year | Position | Participants | Performance |
---|---|---|---|---|---|---|---|
1971 | 16 | 20 | 20% | 1981 | 11 | 44 | 75% |
1972 | 14 | 26 | 46% | 1982 | 5 | 44 | 89% |
1973 | 23 | 40 | 42% | 1983 | 18 | 44 | 59% |
1974 | 24 | 40 | 40% | 1984 | 1 | 41 | 98% |
1975 | 3 | 42 | 93% | 1985 | 22 | 44 | 50% |
1976 | 4 | 54 | 93% | 1986 | 6 | 48 | 87% |
1977 | 26 | 62 | 58% | 1987 | 7 | 16 | 56% |
1978 | 22 | 74 | 70% | 1988 | 3 | 24 | 87% |
1979 | 52 | 94 | 45% | 1989 | 15 | 22 | 32% |
1980 | 11 | 44 | 75% | 1990 | 15 | 20 | 25% |
Year | Position | Participants | Performance | Year | Position | Participants | Performance |
---|---|---|---|---|---|---|---|
1991 | 4 | 20 | 80% | 2001 | 3 | 28 | 89% |
1992 | 14 | 20 | 30% | 2002 | 4 | 26 | 85% |
1993 | 28 | 32 | 12% | 2003 | 19 | 24 | 21% |
1994 | 15 | 24 | 37% | 2004 | 9 | 24 | 62% |
1995 | 4 | 24 | 83% | 2005 | 5 | 22 | 77% |
1996 | 23 | 24 | 4% | 2006 | 15 | 20 | 25% |
1997 | 25 | 26 | 4% | 2007 | 4 | 20 | 80% |
1998 | Série B | 2008 | 14 | 20 | 30% | ||
1999 | Série C | 2009 | 16 | 20 | 20% | ||
2000 | 3 | 25 | 88% | 2010 | 1 | 20 | 95% |
2011 | 3 | 20 |
Fluminense Football Club has an average performance of 57% in Série A, with a standard deviation of 28%.
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Famous quotes containing the word performance:
“The way to go to the circus, however, is with someone who has seen perhaps one theatrical performance before in his life and that in the High School hall.... The scales of sophistication are struck from your eyes and you see in the circus a gathering of men and women who are able to do things as a matter of course which you couldnt do if your life depended on it.”
—Robert Benchley (18891945)
“No performance is worth loss of geniality. Tis a cruel price we pay for certain fancy goods called fine arts and philosophy.”
—Ralph Waldo Emerson (18031882)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)