Works
Schmitt wrote 138 works with opus numbers. He composed examples of most of the major forms of music, except for opera. Today his most famous pieces are La tragédie de Salome and Psaume XLVII (Psalm 47). His piano quintet in B minor, written in 1908, helped establish his reputation. Other works include a violin sonata (Sonate Libre), a late string quartet, a saxophone quartet, Dionysiaques for wind band, and two symphonies. He was part of the group known as Les Apaches. His own style, recognizably impressionistic, owed something to the example of Debussy, though it had distinct traces of Wagner and Richard Strauss also.
Schmitt composed a ballet La tragédie de Salomé in 1907 as a commission from Jacques Rouché for Loie Fuller and the Théâtre des Arts. From the original ballet score, scored for twenty instruments and lasting about an hour, Schmitt prepared a symphonic poem of the same name, half as long as the ballet score, for a much expanded orchestra. The symphonic poem version is much better-known (with recordings conducted by Schmitt himself, Paul Paray, Jean Martinon, Antonio de Almeida, Marek Janowski and others), but there is also an excellent recording of the 1907 ballet score under Patrick Davin on the Marco Polo label. The rhythmic syncopations, polyrhythms, percussively treated chords, bitonality, and scoring of Schmitt's work anticipate Stravinsky's The Rite of Spring. While composing The Rite of Spring, Stravinsky acknowledged that Schmitt's ballet gave him greater joy than any work he had heard in a long time, but they fell out with each other in later years, and Stravinsky reversed his opinion of Schmitt's works.
In 1927 he was one of the ten French composers who each contributed a dance for the children's ballet L'éventail de Jeanne: he wrote the finale, a Kermesse-Valse.
Read more about this topic: Florent Schmitt
Famous quotes containing the word works:
“I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
—Ralph Waldo Emerson (1803–1882)
“My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
—Hannah More (1745–1833)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)