In Popular Culture
In 1999 a one-woman play about Jenkins, Goddess of Song by South African playwright Charles J. Fourie, was staged at the Coffee Lounge in Cape Town. In 2001 Viva La Diva by Chris Ballance had a run at the Edinburgh Fringe. Another play based on Jenkins's life, Souvenir by Stephen Temperley, opened on Broadway in November 2005 starring Judy Kaye. Kaye commented that "It's hard work to sing badly well. You could sing badly badly for a while, but you'll hurt yourself if you do it for long." A fourth play about Jenkins, Glorious! by Peter Quilter, opened the same year in England starring Maureen Lipman. It has since been translated and performed in more than 20 countries.
The self-titled 2009 album of Boston-based indie folk band The Everyday Visuals contains a cut entitled "Florence Foster Jenkins" which references her Carnegie Hall performance and other aspects of her life. A hidden track called "Encore for Florence" concludes folk singer Mary Hampton's debut album My Mother's Children.
Jenkins was the subject of the "Not My Job" segment of NPR's radio program Wait Wait... Don't Tell Me! on October 25, 2009. Anchorman Brian Williams, the show's special guest, was asked a series of trivia questions about Jenkins, whom he nicknamed "Flo Fo". The broadcast appropriately took place in Carnegie Hall.
Read more about this topic: Florence Foster Jenkins
Famous quotes containing the words popular and/or culture:
“What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind. It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.”
—John Berger (b. 1926)
“To be a Negro is to participate in a culture of poverty and fear that goes far deeper than any law for or against discrimination.... After the racist statutes are all struck down, after legal equality has been achieved in the schools and in the courts, there remains the profound institutionalized and abiding wrong that white America has worked on the Negro for so long.”
—Michael Harrington (19281989)