Florence Baptistery - Mosaic Ceiling

Mosaic Ceiling

The Baptistry is crowned by a magnificent mosaic ceiling. The earliest mosaics, works of art of many unknown Venetian craftsmen (including probably Cimabue), date from 1225. The covering of the ceiling started under the direction of the Franciscan friar Jacopo da Torrita and was probably not completed until the fourteenth century.

This mosaic cycle depicts in the three sections above the high altar, the Last Judgment with a gigantic, majestic Christ and the Angels of Judgment at each side by Coppo di Marcovaldo, the rewards of the saved leaving their tomb in joy (at Christ's right hand), and the punishments of the damned (at Christ's left hand). This last part is particularly famous: evil doers are burnt by fire, roasted on spits, crushed with stones, bit by snakes, gnawed and chewed by hideous beasts. These scenes remind us of later works showing us in grisly detail the horrors of hell, such as The Last Judgment or the panel Hell (from the triptych The Garden of Earthly Delights), both by the Flemish painter Hieronymus Bosch.

Dante Alighieri, who grew up looking at these mosaics and these images of death and resurrection, must have been deeply impacted.

The other scenes on the ceiling depict different stories in horizontal tiers of mosaic : (starting at the top) Choirs of Angels, Thrones, Dominations, and Powers; stories from the Book of Genesis; stories of Joseph; stories of Mary and the Christ and finally in the lower tier : stories of Saint John the Baptist.

In the drum under the ceiling are many heads of prophets, attributed to Gaddo Gaddi, a friend of Cimabue.