Flinders Petrie - Archaeology Career

Archaeology Career

After surveying British prehistoric monuments in his teenage years (commencing with the late Romano-British 'British Camp' that lay within yards of his family home in Charlton) in attempts to understand their geometry (at 19 tackling Stonehenge), Petrie travelled to Egypt in early 1880 to apply the same principles in a survey of the Great Pyramid at Giza, making him the first to properly investigate how they were constructed (many theories had been advanced on this, and Petrie read them all, but none were based on first hand observation or logic). Petrie's published report of this triangulation survey, and his analysis of the architecture of Giza therein, was exemplary in its methodology and accuracy, and still provides much of the basic data regarding the pyramid plateau to this day. On that visit he was appalled by the rate of destruction of monuments (some listed in guidebooks had been worn away completely since then) and mummies. He described Egypt as "a house on fire, so rapid was the destruction" and felt his duty to be that of a "salvage man, to get all I could, as quickly as possible and then, when I was 60, I would sit and write it all.

Returning to England at the end of 1880, Petrie wrote a number of articles and then met Amelia Edwards, journalist and patron of the Egypt Exploration Fund (now the Egypt Exploration Society), who became his strong supporter and later appointed him as Professor at her Egyptology chair at University College London. Impressed by his scientific approach, they offered him work as the successor to Édouard Naville. Petrie accepted the position and was given the sum of £250 per month to cover the excavation’s expenses. In November 1884, Petrie arrived in Egypt to begin his excavations.

He first went to a New Kingdom site at Tanis, with 170 workmen. He cut out the middle man role of foreman on this and all subsequent excavations, taking complete overall control himself and removing pressure on the workmen from the foreman to discover finds quickly but sloppily. Though he was regarded as an amateur and dilettante by more established Egyptologists, this made him popular with his workers, who found several small but significant finds that would have been lost under the old system.

By the end of the Tanis dig he ran out of funding but, reluctant to leave the country in case this was renewed, he spent 1887 cruising the Nile taking photographs as a less subjective record than sketches. During this time he also climbed rope ladders at Sehel Island near Aswan to draw and photograph thousands of early Egyptian inscriptions on a cliff face, recording embassies to Nubia, famines and wars. By the time he reached Aswan, a telegram had reached there to confirm the renewal of his funding. He then went straight to the burial site at Fayum, particularly interested in post-30 BC burials, which had not previously been fully studied. He found intact tombs and 60 of the famous portraits, and discovered from inscriptions on the mummies that they were kept with their living families for generations before burial. Under Auguste Mariette's arrangements, he sent 50% of these portraits to the Egyptian department of antiquities. However, later finding that Gaston Maspero placed little value on them and left them open to the elements in a yard behind the museum to deteriorate, he angrily demanded that they all be returned, forcing Maspero to pick the 12 best examples for the museum to keep and then returning 48 to Petrie, which he sent to London for a special showing at the British Museum. Resuming work, he discovered the village of the Pharaonic tomb-workers.

In 1890, Petrie made the first of his many forays into Palestine, leading to much important archaeological work. His six-week excavation of Tell el-Hesi (which was mistakenly identified as Lachish) that year represents the first scientific excavation of an archaeological site in the Holy Land. Petrie surveyed a group of tombs in the Wadi al-Rababah (the biblical Hinnom) of Jerusalem, largely dating to the Iron Age and early Roman periods. Here, in these ancient monuments, Petrie discovered two different metrical systems.

From 1891, he worked on the temple of Aten at Tell-el-Amarna, discovering a 300-square-foot (28 m2) New Kingdom painted pavement of garden and animals and hunting scenes. This became a tourist attraction but, as there was no direct access to the site, tourists wrecked neighbouring fields on their way to it. This made local farmers deface the paintings, and it is only thanks to Petrie's copies that their original appearance is known.