Poetry Collections
- 1964: Eye of the Hurricane, Wellington: Reed
- 1967: Tigers, London: Oxford University Press
- 1971: High Tide in the Garden, London: Oxford University Press
- 1974: The Scenic Route, London and New York: Oxford University Press
- 1979: The Inner Harbour, Oxford and New York: Oxford University Press
- 1979: Below Loughrigg, Newcastle upon Tyne: Bloodaxe Books
- 1983: Selected Poems, Oxford and New York: Oxford University Press
- 1986: Hotspur: a ballad, Newcastle upon Tyne: Bloodaxe Books ISBN 978-1-85224-001-1
- 1986: The Incident Book, Oxford ; New York: Oxford University Press
- 1988: Meeting the Comet, Newcastle upon Tyne: Bloodaxe Books
- 1991: Time-zones, Oxford and New York: Oxford University Press
- 1991: Selected Poems, Oxford and New York: Oxford University Press
- 1993: Mary Magdalene and the Birds: Mezzo-sporano and Clarinet, by Dorothy Buchanan, with words by Fleur Adcock, Wellington: Waiteata Press
- 1993: Five Modern Poets: Fleur Adcock, U.A. Fanthorpe, Tony Harrison, Anne Stevenson, Derek Walcott, Edited by Barbara Bleiman, Harlow, England: Longman
- 1997: Looking Back, Oxford and Auckland: Oxford University Press
- 2000: Poems 1960-2000, Newcastle upon Tyne: Bloodaxe Books ISBN 978-1-85224-530-6
- 2004: Contributor, The 2nd Wellington International Poetry Festival Anthology, Edited and compiled by Mark Pirie, Ron Riddell and Saray Torres. Wellington: HeadworX
- 2010: Dragon Talk, Newcastle upon Tyne: Bloodaxe Books ISBN 978-1-85224-878-9
Read more about this topic: Fleur Adcock
Famous quotes containing the words poetry and/or collections:
“The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world of its own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.”
—Walter Pater (1839–1894)
“Most of those who make collections of verse or epigram are like men eating cherries or oysters: they choose out the best at first, and end by eating all.”
—Sébastien-Roch Nicolas De Chamfort (1741–1794)