Musical Style
"Any instrument is just a vehicle to express who you are and your relationship to the world. No matter what level you’re doing it on, playing music is an opportunity to give something to the world."
—Flea, Bass Player, June 2006Flea has displayed a wide variety of techniques throughout the years, ranging from his initial use of slapping and popping to the more traditional methods he has employed since Blood Sugar Sex Magik. Greg Prato of Allmusic has noted, that "by combining funk-style bass with psychedelic, punk, and hard rock, Flea created an original playing style that has been copied numerous times". Flea stated in an interview, that he was influenced greatly by Louis Armstrong. Flea has been considered one of the greatest bassists of all time, with Greg Tate of Rolling Stone saying "if there were a Most Valuable Bass Player award given out in rock, Flea could have laid claim to that bitch ten years running". The Smashing Pumpkins front man Billy Corgan recalls, that when he first saw the Chili Peppers in 1984, "Flea was playing so aggressively that he had worn a hole in his thumb and he was literally screaming in pain in-between songs because it hurt so bad. Someone kept coming out and pouring crazy glue into the hole." Flea's sound is also determined by what type of instrument he plays. Before Californication, he did not believe the actual bass held much significance: "what mattered was how you hit them and your emotional intent, and I still think that's the bottom line." Flea owns a 1961 Fender Jazz Bass, treasuring it for its "old wood sound". He has contributed to the Red Hot Chili Peppers' sound not only with the bass but by playing trumpet, as well; it can be heard on several songs, such as "Subway to Venus" and "Taste The Pain" from their fourth album Mother's Milk or "Torture Me" and "Hump De Bump" from their ninth album Stadium Arcadium.
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Famous quotes containing the words musical and/or style:
“Fifty million Frenchmen cant be wrong.”
—Anonymous. Popular saying.
Dating from World War Iwhen it was used by U.S. soldiersor before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style cest lhomme, what is likely to happen if lhomme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (18581944)