Flash Gordon - Novels

Novels

The first novel based on the strip, Flash Gordon in the Caverns of Mongo, was published in 1936 by Grosset & Dunlap. The credited author was Alex Raymond. Like the pulp magazine of the same year, it failed to launch a series.

In 1973, Avon books launched a six-book series of adult-oriented Flash Gordon novels: The Lion Men of Mongo, The Plague of Sound, The Space Circus, The Time Trap of Ming XIII, The Witch Queen of Mongo and The War of the Cybernauts. Although the books were credited to Alex Raymond, they were all written by SF writer Ron Goulart.

In 1980, Tempo books released a series by David Hagberg: Massacre in the 22nd Century, War of the Citadels, Crisis on Citadel II, Forces from the Federation, Citadels under Attack and Citadels on Earth. Except for the names of the hero and his co-stars of Dale Arden and Dr. Hans Zarkov, this series had little to do with any other version of Flash Gordon.

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Famous quotes containing the word novels:

    Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.
    Annie Dillard (b. 1945)

    The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don’t know—Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel—the quality of philosophy.
    Doris Lessing (b. 1919)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)