Origins
The German association with the colours black, red, and gold surfaced in the radical 1840s, when the black-red-gold flag was used to symbolize the movement against the Conservative European Order that was established after Napoleon's defeat.
The Frankfurt Parliament had declared the black-red-gold as the official colours of the German Confederation, with the red in the tricolour most likely referencing the Hanseatic League, and the gold and black symbolizing Austria as its empire, considered to be "German", had an influence over (what would become) southern Germany. There are many theories in circulation regarding the origins of the colour scheme utilized in the 1848 flag. It has been proposed that the colours were those of the Jena Student's League, one of the radically minded Burschenschaften banned by Metternich in the Carlsbad Decrees. Another claim goes back to the uniforms (mainly black with red facings and gold buttons) of the Lützow Free Corps, comprising mostly university students and formed during the struggle against the occupying forces of Napoleon. It is during the mid-nineteenth century that red became synonymous with revolution and Karl Marx's socialist vision. Whatever the true explanation, these colours soon came to be regarded as the national colours of Germany during this brief period, and especially after their reintroduction during the Weimar period, they have become synonymous with liberalism in general.
Read more about this topic: Flag Of Germany
Famous quotes containing the word origins:
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)