Plot
Joseph W. Randall (Edward G. Robinson), the city editor of a tabloid newspaper, reluctantly agrees when publisher Bernard Hinchecliffe (Oscar Apfel) plans to boost circulation with a restrospective series on a 20-year-old murder and scandal, involving a secretary, Nancy Voorhees (Frances Starr), who shot the man who got her pregnant and then refused to marry her. Nancy is now married to Michael Townsend (H. B. Warner), an upstanding member of society, and has a daughter, Jenny (Marian Marsh), about to marry the son of a socially prominent family, Philip Weeks (Anthony Bushell). She reacts with horror at the renewed interest in the scandal she had put behind her.
To dig up dirt about Nancy, Randall assigns an unscrupulous reporter, "Reverend" T. Vernon Isopod (Boris Karloff), who wears a clerical collar as a device to win the confidence of the bride's parents on the eve of the wedding. They confess to him their concerns that Nancy's past will come out, and he uses their information to write a story that Randall prints. Nancy tries get Randall to back away from the story, but when he refuses she kills herself, as does her husband shortly afterwards. Phillip's parents pressure him to call off the wedding to Nancy's daughter Jenny, but he refuses, and they disinherit him as he stands up to them. An enraged Jenny threatens Randall at gun point, attempting to force him to take responsibility for the deaths of her mother and father, but Philip shows up and calms her down. A guilty Randall denounces Hinchecliffe as a hypocrite and decides to quit the paper, as does his secretary Miss Taylor (Aline MacMahon), who's been in love with him for years.
Read more about this topic: Five Star Final
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)