Plot
Joseph W. Randall (Edward G. Robinson), the city editor of a tabloid newspaper, reluctantly agrees when publisher Bernard Hinchecliffe (Oscar Apfel) plans to boost circulation with a restrospective series on a 20-year-old murder and scandal, involving a secretary, Nancy Voorhees (Frances Starr), who shot the man who got her pregnant and then refused to marry her. Nancy is now married to Michael Townsend (H. B. Warner), an upstanding member of society, and has a daughter, Jenny (Marian Marsh), about to marry the son of a socially prominent family, Philip Weeks (Anthony Bushell). She reacts with horror at the renewed interest in the scandal she had put behind her.
To dig up dirt about Nancy, Randall assigns an unscrupulous reporter, "Reverend" T. Vernon Isopod (Boris Karloff), who wears a clerical collar as a device to win the confidence of the bride's parents on the eve of the wedding. They confess to him their concerns that Nancy's past will come out, and he uses their information to write a story that Randall prints. Nancy tries get Randall to back away from the story, but when he refuses she kills herself, as does her husband shortly afterwards. Phillip's parents pressure him to call off the wedding to Nancy's daughter Jenny, but he refuses, and they disinherit him as he stands up to them. An enraged Jenny threatens Randall at gun point, attempting to force him to take responsibility for the deaths of her mother and father, but Philip shows up and calms her down. A guilty Randall denounces Hinchecliffe as a hypocrite and decides to quit the paper, as does his secretary Miss Taylor (Aline MacMahon), who's been in love with him for years.
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Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)