First Intermediate Period of Egypt - Art and Architecture of The First Intermediate Period

Art and Architecture of The First Intermediate Period

As stated above, the First Intermediate Period in Egypt was generally divided into two main geographical and political regions, one centered at Memphis and the other at Thebes. The Memphite kings, although weak in power, held on to the Memphite artistic traditions that had been in place throughout the Old Kingdom. This was a symbolic way for the weakened Memphite state to hold on to the vestiges of glory in which the Old Kingdom had reveled. On the other hand, the Theban kings, physically isolated from Memphis, had no access to these Memphite artworks and thus, were able to craft new artistic styles that reflected the creativity of the artists who were no longer controlled by the state.

The building projects of the Heracleopolitan kings in the North was very limited. Only one pyramid believed to belong to King Merikare (2065-2045 BC) has been identified at Saqqara. Also, private tombs that were built during the time pale in comparison to the Old Kingdom monuments, in quality and size. There are still relief scenes of servants making provisions for the deceased as well as the traditional offering scenes which mirror those of the Old Kingdom Memphite tombs. However, they are of a lower quality and are much simpler than their Old Kingdom parallels. Wooden rectangular coffins were still being used, but their decorations became more elaborate during the rule of the Heracleopolitan kings. New Coffin Texts were painted on the interiors, providing spells and maps for the deceased to use in the afterlife.

The rise of the Theban kings around 2123 BC brought about an original more provincial style of art. This new style is often described as clumsy and unrefined and may have been due to the lack of skilled artisans. However, the artworks that survived show that the artisans took on new interpretations of traditional scenes. They employed the use of bright colors in their paintings and changed and distorted the proportions of the human figure. This distinctive style was especially evident in the rectangular slab stelae found in the tombs at Naga el-Deir. In terms of royal architecture, the Theban kings of the early eleventh dynasty constructed rock cut tombs called saff tombs at El-Tarif on the west bank of the Nile. This new style of mortuary architecture consisted of a large courtyard with a rock-cut colonnade at the far wall. Rooms were carved into the walls facing the central courtyard where the deceased were buried, allowing for multiple people to be buried in one tomb. The undecorated burial chambers may have been due to the lack of skilled artists in the Theban kingdom.

Read more about this topic:  First Intermediate Period Of Egypt

Famous quotes containing the words art and, art, architecture, intermediate and/or period:

    The press and politicians. A delicate relationship. Too close, and danger ensues. Too far apart and democracy itself cannot function without the essential exchange of information. Creative leaks, a discreet lunch, interchange in the Lobby, the art of the unattributable telephone call, late at night.
    Howard Brenton (b. 1942)

    Whatever events in progress shall disgust men with cities, and infuse into them the passion for country life, and country pleasures, will render a service to the whole face of this continent, and will further the most poetic of all the occupations of real life, the bringing out by art the native but hidden graces of the landscape.
    Ralph Waldo Emerson (1803–1882)

    Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge across our fears of what has never been before.
    Audre Lorde (1934–1992)

    Complete courage and absolute cowardice are extremes that very few men fall into. The vast middle space contains all the intermediate kinds and degrees of courage; and these differ as much from one another as men’s faces or their humors do.
    François, Duc De La Rochefoucauld (1613–1680)

    If there is any period one would desire to be born in, is it not the age of Revolution; when the old and the new stand side by side, and admit of being compared; when the energies of all men are searched by fear and by hope; when the historic glories of the old can be compensated by the rich possibilities of the new era?
    Ralph Waldo Emerson (1803–1882)