First Epistle of Peter - Audience

Audience

1 Peter is addressed to the “elect resident aliens” scattered throughout Pontus, Galatia, Cappadocia, Asia, and Bithynia. The five areas listed in 1:1 as the geographical location of the first readers were Roman provinces in Asia Minor. The order in which the provinces are listed may reflect the route to be taken by the messenger who delivered the circular letter. The recipients of this letter are referred to in 1:1 as “exiles of the Dispersion.” In 1:17, they are urged to “live in reverent fear during the time of your exile. The social makeup of the addressees of 1 Peter is debatable because some scholars interpret “strangers” (1:1) as Christians longing for their home in heaven, some interpret it as literal “strangers”, or as an Old Testament adaptation applied to Christian believers.

While the new Christians have encountered oppression and hostility from locals, Peter advises them to maintain loyalty to both their religion and the empire (1 Peter 2:17).

The author counsels (1) to steadfastness and perseverance under persecution (1–2:10); (2) to the practical duties of a holy life (2:11–3:13); (3) he adduces the example of Christ and other motives to patience and holiness (3:14–4:19); and (4) concludes with counsels to pastors and people (chap. 5).

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Famous quotes containing the word audience:

    Dining-out is a vice, a dissipation of spirit punished by remorse. We eat, drink and talk a little too much, abuse all our friends, belch out our literary preferences and are egged on by accomplices in the audience to acts of mental exhibitionism. Such evenings cannot fail to diminish those who take part in them.
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    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
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    We are born at the rise of the curtain and we die with its fall, and every night in the presence of our patrons we write our new creation, and every night it is blotted out forever; and of what use is it to say to audience or to critic, “Ah, but you should have seen me last Tuesday”?
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