Audience
1 Peter is addressed to the “elect resident aliens” scattered throughout Pontus, Galatia, Cappadocia, Asia, and Bithynia. The five areas listed in 1:1 as the geographical location of the first readers were Roman provinces in Asia Minor. The order in which the provinces are listed may reflect the route to be taken by the messenger who delivered the circular letter. The recipients of this letter are referred to in 1:1 as “exiles of the Dispersion.” In 1:17, they are urged to “live in reverent fear during the time of your exile. The social makeup of the addressees of 1 Peter is debatable because some scholars interpret “strangers” (1:1) as Christians longing for their home in heaven, some interpret it as literal “strangers”, or as an Old Testament adaptation applied to Christian believers.
While the new Christians have encountered oppression and hostility from locals, Peter advises them to maintain loyalty to both their religion and the empire (1 Peter 2:17).
The author counsels (1) to steadfastness and perseverance under persecution (1–2:10); (2) to the practical duties of a holy life (2:11–3:13); (3) he adduces the example of Christ and other motives to patience and holiness (3:14–4:19); and (4) concludes with counsels to pastors and people (chap. 5).
Read more about this topic: First Epistle Of Peter
Famous quotes containing the word audience:
“Dining-out is a vice, a dissipation of spirit punished by remorse. We eat, drink and talk a little too much, abuse all our friends, belch out our literary preferences and are egged on by accomplices in the audience to acts of mental exhibitionism. Such evenings cannot fail to diminish those who take part in them.”
—Cyril Connolly (1903–1974)
“Bottom. What is Pyramus? A lover or a tyrant?
Quince. A lover that kills himself, most gallant, for love.
Bottom. That will ask some tears in the true performing of it. If I do it, let the audience look to their eyes.”
—William Shakespeare (1564–1616)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)