Style
The epistle is not written in the same form as the other biblical epistles, lacking an epistolary opening or conclusion. The epistle is written in a simple style, without syntactical flourishes, and makes frequent use of asyndeton, where related thoughts are placed next to one another without conjunctions. In contrast to the linear style used in the Pauline epistles, John's thought moves in loops or circles forming a slowly advancing sequence of thought. This is similar to the parallel structure of Hebrew poetry, in which the second verse of a couplet often carries the same meaning as the first, though in the epistle the frequent recapitulations of already expressed ideas serve also to add to what has previously been said. In summary, the epistle may be said to exhibit a paraenetic style which is "marked by personal appeal, contrasts of right and wrong, true and false, and an occasional rhetorical question."
Some scholars have proposed the idea that the epistle is really John's commentary on a selection of traditional parallel couplets. While this theory, first propounded by Ernst von Dobschütz and Rudolf Bultmann, is not universally accepted, Amos Wilder writes that, "it is at least clear that there are considerable and sometimes continuous elements in the epistle whose style distinguishes them from that of the author both with respect to poetic structure and syntactic usage."
Read more about this topic: First Epistle Of John
Famous quotes containing the word style:
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“I would observe to you that what is called style in writing or speaking is formed very early in life while the imagination is warm, and impressions are permanent.”
—Thomas Jefferson (1743–1826)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)