First Anglo-Afghan War - Legacy

Legacy

Many voices in Britain, from Lord Aberdeen to Benjamin Disraeli, had criticized the war as rash and insensate. The perceived threat from Russia was vastly exaggerated, given the distances, the almost impassible mountain barriers and logistical problems that an invasion would have to solve. In the three decades after the First Anglo-Afghan War, the Russians did advance steadily southward towards Afghanistan. In 1842, the Russian border was on the other side of the Aral Sea from Afghanistan; but five years later the Tsar's outposts had moved to the lower reaches of the Amu Darya. By 1865, Tashkent had been formally annexed, as was Samarkand three years later. A peace treaty in 1873 with Amir Alim Khan of the Manghit Dynasty, the ruler of Bukhara, virtually stripped him of his independence. Russian control then extended as far as the northern bank of the Amu Darya.

In 1878, the British invaded again, beginning the Second Anglo-Afghan War.

Lady Butler's famous painting of Dr. William Brydon, initially thought to be the sole survivor, gasping his way to the British outpost in Jalalabad, helped make Afghanistan's reputation as a graveyard for foreign armies and became one of the great epics of empire.

In 1843, the British army chaplain Rev. G.R. Gleig wrote a memoir of the disastrous (First) Anglo-Afghan War, of which he was one of the very few survivors. He wrote that it was "a war begun for no wise purpose, carried on with a strange mixture of rashness and timidity, brought to a close after suffering and disaster, without much glory attached either to the government which directed, or the great body of troops which waged it. Not one benefit, political or military, was acquired with this war. Our eventual evacuation of the country resembled the retreat of an army defeated”.