Appearance
Hydrant coloring may be due to either purely practical criteria or more artistic. In the United States, the AWWA and NFPA recommend hydrants be colored chrome yellow for rapid identification apart from the bonnet and nozzle caps which should be coded according to their available flow. Class AA hydrants (>1500 gpm) should have their nozzle caps and bonnet colored light blue, Class A hydrants (1000–1499 gpm), green, Class B hydrants (500–999 gpm), orange, and Class C hydrants (0–499 gpm), red. This aids arriving firefighters in determining how much water is available and whether to call for additional resources, or find another hydrant. Other codings can be and frequently are used, some of greater complexity, incorporating pressure information, others more simplistic. In Ottawa, hydrant colors communicate different messages to firefighters; for example, if the inside of the hydrant is corroded so much that the interior diameter is too narrow for good pressure, it will be painted in a specific scheme to indicate to firefighters to move on to the next one. In many localities, a white or purple top indicates that the hydrant provides non-potable water. Where artistic and/or aesthetic considerations are paramount, hydrants can be extremely varied, or more subdued. In both instances this is usually at the cost of reduced practicality.
In Germany, most hydrants are located below ground (Unterflurhydrant) and are reached by a Standrohr which provides the connections for the hoses.
Read more about this topic: Fire Hydrant
Famous quotes containing the word appearance:
“What lies behind appearance is usually another appearance.”
—Mason Cooley (b. 1927)
“You speak of poverty and dependence. Who are poor and dependent? Who are rich and independent? When was it that men agreed to respect the appearance and not the reality?”
—Henry David Thoreau (1817–1862)
“Every natural fact is a symbol of some spiritual fact. Every appearance in nature corresponds to some state of the mind, and that state of the mind can only be described by presenting that natural appearance as its picture.”
—Ralph Waldo Emerson (1803–1882)