Fiore Dei Liberi - The Flower of Battle

The Flower of Battle

Four copies of the illuminated manuscript are currently known to exist, and there are records of two others whose current locations are unknown. The MS Ludwig XV 13 and the Pisani-Dossi MS are both dedicated to Niccolò III d'Este and state that they were written at his request and according to his design. The MS M.383, on the other hand, lacks a dedication and claims to have been laid out according to his own intelligence. The MSS Latin 11269 lost any dedication it might have had along with its prologue. Each of the extant copies of the Flower of Battle follows a distinct order, though both of these pairs contain strong similarities to each other in order of presentation.

The major sections of the work include: abrazare, unarmed plays (usually translated as wrestling but more literally grappling); daga, including both unarmed defenses against the dagger and plays of dagger against dagger; spada a un mano, the use of the longsword in one hand (also called "the sword without the buckler"); spada a dui mani, the use of the longsword in two hands; spada en arme, the use of the longsword in armor (primarily techniques from the halfsword); azza, plays of the poleaxe in armor; lancia, spear and staff plays; and mounted combat (including the spear, the longsword, and mounted grappling). Brief bridging sections serve to connect each of these, covering such topics as bastoncello, or plays of a small stick or baton against unarmed and dagger-wielding opponents; plays of longsword vs. dagger; plays of staff and dagger and of two clubs and a dagger; and the use of the chiavarina against a man on horseback.

The format of instruction is largely consistent across all of the copies of the manual. Each section begins with a Master Remedy, a figure in a golden crown who demonstrates a counter technique against a basic attack. He is followed by various Scholars, figures wearing golden garters on their legs who demonstrate iterations and variations on this counter. After the Scholars there is a Master Contrario, a figure wearing both a crown and a garter, who demonstrates how to counter the Master Remedy's technique (and those of the Scholars). Some sections feature multiple Masters Remedy or Masters Contrario, while some have only one. There are also many cases in which an image in one copy will only feature a scholar's garter where the corresponding image in another copy also features a master's crown. Depending on the instance, this may be intentional or may be an error in the art.