Study of Finnish Mythological and Religious History
The first historical mention of Finnish folk religion was by the bishop and Lutheran reformer Mikael Agricola (1510–1555) in the preface to his 1551 Finnish translation of the Psalms. Agricola supplied a list of purported deities of the Häme (in Swedish, Tavastia) and Karjala (Karelia), twelve deities in each region, with their supposed functions briefly set out in verse form. (Some commentators state that only eleven deities were listed for Häme, not counting Agricola's mention of Piru, the Devil.) Due to the lists, Agricola is considered to be the father of the study of Finnish religious history and mythology. Later scholars and students commonly quoted Agricola's lists as a historical source; only in the late eighteenth century did scholars begin to critically evaluate the "gods" in Agricola's lists and the information he presented about them, determining with further research that most of the figures in his lists were not gods, but local guardian spirits, figures from folk mythology or explanatory legends, cultural heroes, Christian saints under alternative names, and, in one case, a harvest-time festival.
Cristfried Ganander's Mythologia Fennica, published in 1789, was the first truly scholarly foray into Finnish mythology. In the 19th century, research into Finnish folklore intensified. Scholars like Elias Lönnrot, J.F. Cajan, M.A. Castrén, and D.E.D. Europaeus travelled around Finland writing down folk poetry sung by runo (poem) singers. From this material Lönnrot edited the Kalevala as well as the Kanteletar. The wealth of folk poetry collected in the 19th century often deals with pre-Christian pagan themes, and has allowed scholars to study Finnish mythology in more detail.
Read more about this topic: Finnish Mythology
Famous quotes containing the words study of, study, finnish, mythological, religious and/or history:
“Gloom and solemnity are entirely out of place in even the most rigorous study of an art originally intended to make glad the heart of man.”
—Ezra Pound (1885–1972)
“We should always remember that the work of art is invariably the creation of a new world, so that the first thing we should do is to study that new world as closely as possible, approaching it as something brand new, having no obvious connection with the worlds we already know. When this new world has been closely studied, then and only then let us examine its links with other worlds, other branches of knowledge.”
—Vladimir Nabokov (1899–1977)
“A conversation in English in Finnish and in French can not be held at the same time nor with indifference ever or after a time.”
—Gertrude Stein (1874–1946)
“Both magic and religion are based strictly on mythological tradition, and they also both exist in the atmosphere of the miraculous, in a constant revelation of their wonder-working power. They both are surrounded by taboos and observances which mark off their acts from those of the profane world.”
—Bronislaw Malinowski (1884–1942)
“... these great improvements of modern times are blessings or curses on us, just in the same ratio as the mental, moral, and religious rule over the animal; or the animal propensities of our nature predominate over the intellectual and moral. The spider elaborates poison from the same flower, in which the bee finds materials out of which she manufactures honey.”
—Harriot K. Hunt (1805–1875)
“It’s a very delicate surgical operation—to cut out the heart without killing the patient. The history of our country, however, is a very tough old patient, and we’ll do the best we can.”
—Dudley Nichols, U.S. screenwriter. Jean Renoir. Sorel (Philip Merivale)