Production
The inspiration for Nemo was made up of multiple experiences. The idea goes back to when director Andrew Stanton was a child, when he loved going to the dentist to see the fish tank, assuming that the fish were from the ocean and wanted to go home. In 1992 shortly after his son was born, he and his family took a trip to Six Flags Discovery Kingdom (which was called Marine World at the time). There he saw the shark tube and various exhibits he felt that the underwater world could be done beautifully in computer animation. Later, in 1997 he took his son for a walk in the park, but found that he was over protecting him constantly and lost an opportunity to have any "father-son experiences" on that day. In an interview with National Geographic magazine, he stated that the idea for the characters of Marlin and Nemo came from a photograph of two clownfish peeking out of an anemone:
"It was so arresting. I had no idea what kind of fish they were, but I couldn't take my eyes off them. And as an entertainer, the fact that they were called clownfish—it was perfect. There's almost nothing more appealing than these little fish that want to play peekaboo with you."
Also, clownfish are very colourful, but don't tend to come out of an anemone very often, and for a character who has to go on a dangerous journey, Stanton felt a clownfish was the perfect kind of fish for the character.
Pre-production of the film took place in early 1997. Stanton began writing the screenplay during the post-production of A Bug's Life. As such, it began production with a complete screenplay, something that co-director Lee Unkrich called "very unusual for an animated film." The artists took scuba diving lessons so they could go and study the coral reef. The idea for the initiation sequence came from a story conference between Andrew Stanton and Bob Peterson while driving to record the actors. Ellen DeGeneres was cast after Stanton was watching Ellen with his wife and seeing Ellen "change the subject five times before finishing one sentence" as Stanton recalled. There was a pelican character known as Gerald (who in the final film ends up swallowing and choking on Marlin and Dory) who was originally a friend of Nigel. They were going to play against each other as Nigel being neat fastidious while Gerald being scruffy and sloppy. However the filmmakers could not find an appropriate scene for them that didn't slow the pace of the picture down, so Gerald's character was minimized.
Stanton himself provided the voice of Crush the sea turtle. Stanton originally did the voice for the film's story reel, and assumed they would find an actor later. When Stanton's performance was popular in test screenings, Stanton decided to keep his performance in the film. Stanton recorded all his dialogue while lying on a sofa in co-director Lee Unkrich's office.
Crush's son Squirt was voiced by Nicholas Bird, the young son of fellow Pixar director Brad Bird. According to Stanton, the elder Bird was playing a tape recording of his young son around the Pixar studios one day. Stanton felt the voice was "this generation's Thumper" and immediately cast Nicholas.
Megan Mullally revealed that she was originally doing a voice in the film. According to Mullally, the producers were dissatisfied to learn that the voice of her character Karen Walker on the television show Will & Grace was not her natural speaking voice. The producers hired her anyway, and then strongly encouraged her to use her Karen Walker voice for the role. When Mullally refused, she was dismissed.
The film was dedicated to Glenn McQueen, a Pixar animator who died of melanoma in October 2002.
Finding Nemo shares many plot elements with Pierrot the Clownfish, a children's book published in 2002, but allegedly conceived in 1995. The author, Franck Le Calvez, sued Disney for infringement of his intellectual rights. The judge ruled against him, citing the color differences between Pierrot and Nemo.
To ensure that the movements of the fish in the film were believable the animators essentially took a crash course in fish biology and oceanography. They visited aquariums, went diving in Hawaii and received in-house lectures from an ichthyologist.
Read more about this topic: Finding Nemo
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)