Development
Yoshiki Okamoto cites the arcade version of Double Dragon II: The Revenge as his basis for Final Fight. Final Fight was originally shown at trade shows under the title of Street Fighter '89. According to Okamoto, the sales division of Capcom originally requested a Street Fighter sequel, so his team decided to promote Final Fight as a Street Fighter sequel at trade shows (going as far to refer to one of the main characters as a "former Street Fighter"). The title was changed to Final Fight before its official release after feedback from operators stating that the game was nothing like Street Fighter.
According to the developers, many elements from the game and its plot were inspired by the 1980s action film, Streets of Fire. Many members of the production staff are fans of the movie. One of the main characters from the game, Cody, was even inspired by the hero of the film, Tom Cody, who was played by actor Michael Paré. The story of the movie also dealt with the kidnapping of an attractive young woman by a city gang. The street gang the player faces in the game, the Mad Gear Gang, takes their name from a 1987 overhead racing game by Capcom of the same name. The game was released as Led Storm outside Japan. Many of the characters are named after 1980s rock musicians such as Axl Rose, Slash, Gene Simmons, (Sid) Sid Vicious, (Billy) Billy Idol, (Abigail, named after King Diamond's 2nd album and also dons facepaint similar to King Diamond) King Diamond, Roxy Music and Poison, with another being from the game Forgotten Worlds.
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Famous quotes containing the word development:
“A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.”
—Sarah Bernhardt (1845–1923)
“The man, or the boy, in his development is psychologically deterred from incorporating serving characteristics by an easily observable fact: there are already people around who are clearly meant to serve and they are girls and women. To perform the activities these people are doing is to risk being, and being thought of, and thinking of oneself, as a woman. This has been made a terrifying prospect and has been made to constitute a major threat to masculine identity.”
—Jean Baker Miller (20th century)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)