Development
Final Fantasy Chronicles features two previously-released ports by TOSE; Final Fantasy IV and Chrono Trigger were released separately, and Final Fantasy IV was re-released as a part of Final Fantasy Collection, all published in Japan. Chronicles was designed and directed by Kazuhiko Aoki, supervised by Fumiaki Fukaya, and produced by Akihiro Imai. It was created as a follow-up to Final Fantasy Anthology, a compilation of Final Fantasy V and Final Fantasy VI.
The original Final Fantasy IV was released in North America as Final Fantasy II in 1991, with various "Easytype" modifications. These were removed in the Final Fantasy Chronicles version, and the game was re-localized, achieving a script closer to the Japanese script by Takashi Tokita. Chrono Trigger, released in 1995, was already localized by Ted Woolsey, but the Final Fantasy Chronicles version has additional modifications.
A primary addition to both games is full-motion video. Final Fantasy IV features computer animated cutscene sequences, while Chrono Trigger features anime-style sequences designed by Akira Toriyama that "help further tell the story of Chrono Trigger." Final Fantasy IV was given gameplay features such as a two-player mode, a "Sprint Feature" to "enhance and quicken gameplay", and the "Memo File" system to "reduce saving time." Chrono Trigger, instead of added gameplay features, has an "Extras Mode". This features databases such as a bestiary and a gallery of artwork created in development.
Read more about this topic: Final Fantasy Chronicles
Famous quotes containing the word development:
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“The proper aim of education is to promote significant learning. Significant learning entails development. Development means successively asking broader and deeper questions of the relationship between oneself and the world. This is as true for first graders as graduate students, for fledging artists as graying accountants.”
—Laurent A. Daloz (20th century)
“A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.”
—Sarah Bernhardt (1845–1923)