Film Preservation - Partial List of Restored Films

Partial List of Restored Films

  • The Impossible Voyage (1904)
  • The Battle of the Somme (1916)
  • Nosferatu, eine Symphonie des Grauens (1922)
  • Metropolis (1927)
  • The Man Who Laughs (1928)
  • All Quiet on the Western Front (1930)
  • The Big Trail (1930)
  • Becky Sharp (1935)
  • Love Affair (1939)
  • A Star Is Born (1954)
  • Seven Samurai (1954)
  • Rear Window (1954)
  • Vertigo (1958)
  • Spartacus (1960)
  • Yojimbo (1961)
  • Lawrence of Arabia (1962)
  • It's a Mad Mad Mad Mad World (1963)
  • My Fair Lady (1964)
  • Persona (1966)
  • The Good, the Bad, and the Ugly (1966)
  • Yellow Submarine (1968)
  • The Godfather (1972)
  • Overlord (1975)
  • Superman (1978)
  • Superman II (1980)
  • Raging Bull (1980)
  • Himala (Miracle), a 1982 Filipino film and the CNN Asia Pacific Screen Awards Viewer's Choice Award for the Best Film of all Time from the Asia-Pacific Region have been restored by ABS-CBN Film Archive and Central Digital Lab, Inc. as part of its 30th year anniversary. It was screened at the 69th Venice International Film Festival and will be re-released theatrically within this year.
  • Ran (1985)
  • Most of the Walt Disney Studio's animated feature films, e.g. Fantasia and Bambi
  • Most of the major pre-1948 Warner Bros./pre-1986 MGM/RKO Radio Pictures library, including: Gone with the Wind & The Wizard of Oz (1939), Citizen Kane (1941), Singin' in the Rain (1952), and Doctor Zhivago (1965), among others
  • A handful of the 20th Century Fox Charlie Chan movies have recently been digitally restored, which include the following titles:
    Charlie Chan in London, Charlie Chan in Paris, Charlie Chan in Egypt, Charlie Chan in Shanghai, Charlie Chan at the Circus, Charlie Chan at the Olympics, Charlie Chan at the Opera, Charlie Chan at the Race Track, Charlie Chan's Secret, Charlie Chan at Monte Carlo, Charlie Chan on Broadway and The Black Camel.
This film, television or video-related list is incomplete; you can help by expanding it with reliably sourced additions.

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    “The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
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