Showing Film Frames in Animation and Movies
Some humor in animation is based on the fourth wall aspect of the film frame itself, with some animation showing characters leaving what is assumed to be the edge of the film or the film malfunctioning. This latter one is used often in films as well. This hearkens back to some early cartoons, where characters were aware of the fact they were in a cartoon, specifically the fact they could look at the credits and be aware of something that isn't part of the story as presented. These jokes include -
- Split frames - Where the fourth wall is broken by two frames, the lower half of the previous frame and the upper part of the next frame, showing at once, with jokes involving them including a character crossing the frame itself.
- Film Break - A famous form of joke, where the film either snaps or is deliberately broken, with often the fourth wall coming into play during this period when, rightfully, there should be nothing on screen.
- Exiting the frame - This joke, an extension of the split frames joke, has characters depart from the sides of the frame, sometimes finding themselves falling out of the cartoon entirely.
Read more about this topic: Film Frame
Famous quotes containing the words showing, film, frames and/or movies:
“We owe to genius always the same debt, of lifting the curtain from the common, and showing us that divinities are sitting disguised in the seeming gang of gypsies and peddlars.”
—Ralph Waldo Emerson (1803–1882)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)
“... though it is by no means requisite that the American women should emulate the men in the pursuit of the whale, the felling of the forest, or the shooting of wild turkeys, they might, with advantage, be taught in early youth to excel in the race, to hit a mark, to swim, and in short to use every exercise which could impart vigor to their frames and independence to their minds.”
—Frances Wright (1795–1852)
“Now here this, now here this. Reveille. I repeat, reveille. Attention all hands. Because another cigarette butt has been found in the container of the Captain’s palm tree, there will be no movies again tonight. That is all.”
—Frank S. Nugent (1908–1965)