Grip
Grips are trained Lighting and Rigging Technicians. Their main responsibility is to work closely with the Electrical Department to put in the non-electrical components of lighting set-ups required for a shot, such as flags, overheads, and bounces. On the sound stage, they move and adjust major set pieces when something needs to be moved to get a camera into position. They may belong to the International Alliance of Theatrical Stage Employees.
- Key grip
- The Key Grip is the chief Grip on a set, and is the head of the Set Operations Department. The Key Grip works with the Director of Photography to help set up the set and to achieve correct lighting and blocking.
- Best boy (Grip)
- The Best Boy is chief assistant to the Key Grip. They are also responsible for organizing the grip truck throughout the day.
- Dolly grip
- The Grip in charge of operating the camera dollies and camera cranes is called the Dolly Grip. They place, level, and move the dolly track, then push and pull the dolly, and usually a Camera Operator and Camera Assistant as riders.
- Grips
- Grips report to the Key Grip and are responsible for lifting heavy things and setting rigging points for lights.
Read more about this topic: Film Crew
Famous quotes containing the word grip:
“The grip that swung the ax in Illinois
Was on the pen that set a people free.”
—Edwin Markham (1852–1940)
“While the State becomes inflated and hypertrophied in order to obtain a firm enough grip upon individuals, but without succeeding, the latter, without mutual relationships, tumble over one another like so many liquid molecules, encountering no central energy to retain, fix and organize them.”
—Emile Durkheim (1858–1917)
“you show her the two hands
that grip each other fiercely,
one being mine, one being yours.
Torn right off at the wrist bone
when you started in your
impossible going, gone.”
—Anne Sexton (1928–1974)