Figured Bass Notation
A part notated with figured bass consists of a bass-line notated with notes on a musical staff plus added numbers and accidentals beneath the staff to indicate what intervals above the bass notes should be played, and therefore which inversions of which chords are to be played. The phrase tasto solo indicates that only the bass line (without any upper chords) is to be played for a short period, usually until the next figure is encountered.
Composers were inconsistent in the usages described below. Especially in the 17th century, the numbers were omitted whenever the composer thought the chord was obvious. Early composers such as Claudio Monteverdi often specified the octave by the use of compound intervals such as 10, 11, and 15.
Contemporary Figured Bass as taught at university level, may be summarized as follows, for memorization.
For diatonic triads:
- root position = blank or 5/3
- 1st Inversion = 6 or 6/3
- 2nd Inversion = 6/4
For 7th chords:
- root position = 7
- 1st Inversion = 6/5
- 2nd Inversion = 4/3
- 3rd Inversion = 4/2
Read more about this topic: Figured Bass
Famous quotes containing the words figured and/or bass:
“The figured wheel rolls through shopping malls and prisons,
Over farms, small and immense, and the rotten little downtowns.”
—Robert Pinsky (b. 1940)
“How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
—In New York City, U.S. public relief program (1935-1943)