Field of The Cloth of Gold - The Meeting

The Meeting

Each king tried to outshine the other, with dazzling tents and clothes, huge feasts, music, jousting, and games. The tents and the costumes displayed so much cloth of gold, an expensive fabric woven with silk and gold thread, that the site of the meeting was named after it.

The most elaborate arrangements were made for the accommodation of the two monarchs and their large retinues; and on Henry's part especially no efforts were spared to make a great impression in Europe with this meeting. Before the castle of Guines, a temporary palace covering an area of nearly 12,000 square yards (10,000 m2), was erected for the reception of the English king. The palace was in four blocks with a central courtyard; each side was 328 feet (100 m) long. The only solid part was the brick base about 8 feet (2 m) high. Above the brickwork, the 30-foot (10 metre) high walls were made of cloth or canvas on timber frames, painted to look like stone or brick. One further aspect of King Henry's retinue was the presence of a two royal monkeys covered in gold leaf, these were known to have been gifts from the Ottoman Sultan Selim I and brought much laughter and merriment from Francis I as contemporary Cardinal Wolsey recounts 'The French King was overcome with much curiosity playing with those little knaves that did all they could to steal and pester his advisers, yet he willed them to be present at every banquet'. The slanting roof was made of oiled cloth painted to give the colour of lead and the illusion of slates. Contemporaries commented especially on the huge expanse of glass, which made visitors feel they were in the open air. Chronicle descriptions make it clear the decorations, carved and painted had martial iconography;

The foregate of the same palace or place with great and mighty masonry by sight was arched, with a Tower on every side of the same portered by great craft, and inbatteled was the gate and Tower, and in the fenesters, and windows, were images resembling men of warre redie to cast great stones: also the same gate or Tower was set with compassed images of ancient Princes, as Hercules, Alexander and other, by entrayled worke, richly limned with gold and Albyn colours, .... also the tower of the Gate as seemed was built by great masonry, ... for the sundrie countenances of every Image that their appeared, some shooting, some casting, some ready to strike, and firing of gonnes, which shewed very honourably. —Grafton's Chronicle, or Chronicle at Large 1569

The building was decorated in the most sumptuous fashion and furnished with a profusion of golden ornaments. Red wine flowed from the two fountains outside. The chapel was served by 35 priests. Composer Jean Mouton was most likely in charge of the musical production by Francis I; the French royal chapel had one of the finest choirs in Europe, and contemporary accounts indicated that they "delighted their hearers." The wooden ceiling for one of the tents may later have been installed in the New Chapel at Ightham Mote where, with its colours faded, one with appropriate features can still be seen. Musical production on the English side was probably led by composer William Cornysh the Younger, master of the Royal Chapel for Henry VIII.

Some idea of the size of Henry's following may be gathered from the fact that in one month 2200 sheep and other viands in a similar proportion were consumed. In the fields beyond the castle, 2800 tents were erected for less distinguished visitors.

Journeying from Calais, Henry reached his headquarters at Guînes on 4 June 1520, and Francis took up his residence at Ardres. After Cardinal Wolsey, with a splendid train, had visited the French king, the two monarchs met at the Val d'Or, a spot midway between the two places, on 7 June.

The following days were taken up with tournaments, in which both kings took part. There were banquets in which the kings entertained each other's queens. The many other entertainments included archery displays and wrestling between Breton and English wrestlers.

Wolsey said Mass and the two sovereigns separated on 24 June, Corpus Christi. The painting depicts a dragon flying overhead and this could be interpreted to mean that the Mass itself was interrupted by a mysterious event thought to be a dragon or salamander flying over the congregation. The superstitious would have viewed this as a great portent, but it was probably a firework accidentally or deliberately set off. Alternatively the dragon in the painting could be interpreted as symbolic. The sermon was read by Richard Pace, an intimate friend of Erasmus. Wolsey gave a general indulgence for the forgiveness of the sins of all present.