Fictional Language - Purpose

Purpose

Fictional languages are separated from artistic languages by both purpose and relative completion: a fictional language often has the least amount of grammar and vocabulary possible, and rarely extends beyond the absolutely necessary. At the same time, some others have developed languages in detail for their own sake, such as J. R. R. Tolkien's Quenya and Sindarin and Star Trek's Klingon language which exist as functioning, usable languages. Here "fictional" can be a misnomer.

By analogy with the word "conlang", the term conworld is used to describe these fictional worlds, inhabited by fictional constructed cultures. The conworld influences vocabulary (what words the language will have for flora and fauna, articles of clothing, objects of technology, religious concepts, names of places and tribes, etc.), as well as influencing other factors such as pronouns, or how their cultures view the break-off points between colors or the gender and age of family members.

Read more about this topic:  Fictional Language

Famous quotes containing the word purpose:

    “Our purpose in founding the city was not to make any one class in it surpassingly happy, but to make the city as a whole as happy as possible.”
    —Socrates (469–399 B.C.)

    “The purpose of playing, whose end, both at the first and now,
    was and is, to hold as ‘twere the mirror up to nature: to show
    virtue her feature, scorn her own image, and the very age and
    body of the time his form and pressure.”
    —William Shakespeare (1564–1616)

    “In considering the policy to be adopted for suppressing the insurrection, I have been anxious and careful that the inevitable conflict for this purpose shall not degenerate into a violent and remorseless revolutionary struggle.”
    —Abraham Lincoln (1809–1865)