Regional Stereotypes
Writers may create an archetypal fictional "Eastern European", "Middle Eastern", "Asian", "African" or "Latin American" country for the purposes of their story often called a "Foreign Power".
Such countries often embody stereotypes about their regions. For example, inventors of a fictional Eastern European country will typically describe it as a former or current Soviet satellite state, or with a suspense story about a royal family; if pre-20th century, it will likely resemble Ruritania or feature copious vampires and other supernatural phenomena. A fictional Middle Eastern state often lies somewhere on the Arabian peninsula, has substantial oil-wealth and will have a sultan, or features a stereotypically Muslim Extremist culture, widespread terrorism and poverty, and a country name ending in -istan. A fictional Latin American country will typically project images of a banana republic beset by constant revolutions, military dictatorships, and coups d'état. A fictional African state will suffer from poverty, civil war and disease. A fictional Caribbean nation will feature voodoo and poverty.
Modern writers usually do not try to pass off their stories as facts. However, in the early 18th century George Psalmanazar passed himself off as a prince from the island of Formosa (present-day Taiwan) and wrote a fictional description about it to convince his sponsors.
Some larcenous entrepreneurs have also invented fictional countries solely for the purpose of defrauding people. In the 1820s, Gregor MacGregor sold land in the invented country of Poyais. In modern times, the Dominion of Melchizedek and the Kingdom of EnenKio have been accused of this. Many varied financial scams can play out under the aegis of a fictional country, including selling passports and travel documents, and setting up fictional banks and companies with the seeming imprimatur of full government backing.
Read more about this topic: Fictional Country
Famous quotes containing the word stereotypes:
“There are certain stereotypes that are offensive. Some of them dont worry me, though. For instance, I have always thought that Mammy character in Gone with the Wind was mighty funny. And I just loved Amos n Andy on the radio. So you see, I have enough confidence in myself that those things did not bother me. I could laugh.”
—Annie Elizabeth Delany (b. 1891)