List of Some Works in Public Collections
The numbers accompanied by the abbreviation: "dCOZ" refer to the catalogue of the works of Khnopff by Catherine de Croës and Gisèle Ollinger-Zinque (1987). See bibliographie. The titles between quotation marks are the original titles given by Khnopff himself.
- Amsterdam, Van Gogh Museum
-Portrait of the violinist Achille Lerminiaux, 1885. (dCOZ 75)
- Antwerp, Koninklijk Museum voor Schone Kunsten Antwerpen:
-Portrait of Edmond Khnopff, father of the painter, 1881. (dCOZ 33)
- Bruges, Groeningemuseum
-"Secret-Reflect" (Secret-Reflection), 1902. (dCOZ 378)
- Brussels, Royal Museums of Fine Arts of Belgium:
-"En écoutant Schumann" (listening to Schumann), 1883. (dCOZ 52)
-Portrait of Marguerite Khnopff, sister of the painter, 1887. (dCOZ 100)
-"Du silence" (Silence), 1890. (dCOZ 151)
-"A Fosset, sous les sapins" (In Fosset, under the firs), 1894. (dCOZ 242)
-"Des Caresses" (The Caresses), 1896. (dCOZ 275) -"Memories" or "Lawn Tennis", 1889. (dCOZ 131)
-Posthumous portrait of Marguerite Landuyt, 1896. (dCOZ 280)
-Portrait of His Royal Highness Prince Leopold of Belgium, 1912. (dCOZ 499)
-Portrait of Miss Van der Hecht, 1883. (dCOZ 57)
-Portrait of Germaine Wiener, 1893. (dCOZ 237)
-"Blanc, noir et or" (White, black and gold), 1901. (dCOZ 365) -"Un masque de jeune femme anglaise" (A mask of a young English woman), 1891. (dCOZ 181) Sculpture (bust) in polychromed plaster.
-"Sous les arbres" (Under the trees), 1894. (dCOZ 253)
-"Une ville abandonnée" (An abandoned city), 1904. (dCOZ 401)
- Brussels, Collection of the BOZAR:
-Portrait of a man, ca. 1885. (dCOZ 89)
- Budapest, Museum of Fine Arts:
-"A Fosset, un ruisseau" (In Fosset, A brook), 1897. (dCOZ 285)
- Dendermonde, Stedelijke Musea:
-"Paysage à Fosset", ca. 1894. (dCOZ 254)
- Elsene/Ixelles, Musée d'Ixelles/Museum van Elsene:
-Portrait of Charles Maus (father of Octave Maus, secretary of Les XX), 1885. (dCOZ 84) -"Chimère" (Chimaera), ca. 1910. (dCOZ 470)
- Frankfurt-am-Main, Städelsches Kunstinstitut und Städtische Galerie:
-"A Fosset, Le garde qui attend" (In Fosset, The forrester who waits), 1883. (dCOZ 49)
- Ghent, Museum of Fine Arts, Ghent:
-"L'Encens" (incense), ca. 1898. (dCOZ 325)
-"A Fosset, Un sentier" (In Fosset, a track), ca. 1890-'95. (dCOZ 170)
-"Des yeux bruns et une fleur bleue", 1905. (dCOZ 415)
- Hamburg, Kunsthalle Hamburg:
-"Un Masque" (A mask), 1897. (dCOZ 299) Sculpture in polychromed plaster.
- Liège, Musée d'art moderne et d'art contemporain:
-Portrait of the mother of the artist, 1882. (dCOZ 39)
-"Orphée" (Orpheus), 1913. (dCOZ 519)
-"l'Isolement" (the Isolation, triptych consisting of: "Acrasia", "Solitude" and "Brittomart"), ca. 1890-1894. Part II, "Solitude" is not in Liège but property of the Neumann Foundation in Gingins.
-"Les cheveux" (Hair), 1892. (dCOZ 218bis)
- Los Angeles, J. Paul Getty Museum:
-Portrait of Jeanne Kéfer, 1885. (dCOZ 82)
- Munich, Bayerische Staatsgemäldesammlungen, Neue Pinakothek:
-"I lock my door upon myself", 1891. (dCOZ 174)
- Neuss, Clemens Sels Museum:
-"A Bruges, un portail" (In Bruges, a portal), ca. 1904. (dCOZ 405)
- New York, Metropolitan Museum of Art
-"l'Offrande" (The offering), 1891. (dCOZ 187)
- Ostend, Museum voor Schone Kunsten:
-View from the bridge at Fosset, ca. 1882-1883. (dCOZ, 41bis)
- Paris, Musée d'Orsay:
-Portrait of Marie Monnom (Later wife of Théo van Rysselberghe), 1887. (dCOZ 98)
- Verviers, Musées Communaux:
-"A Bruges, une église" (In Bruges, a church), 1904. (dCOZ 393)
- Vienna, Österreichische Galerie Belvedere:
-"l'Eau immobile" (The immobile water), ca. 1894. (dCOZ 247)
- Vienna, Graphische Sammlung Albertina:
-"Tête de jeune femme anglaise" (Head of a young English woman), 1895. (dCOZ 265) Drawing in red chalk.
Read more about this topic: Fernand Khnopff
Famous quotes containing the words list of, list, works, public and/or collections:
“The advice of their elders to young men is very apt to be as unreal as a list of the hundred best books.”
—Oliver Wendell Holmes, Jr. (1841–1935)
“Every morning I woke in dread, waiting for the day nurse to go on her rounds and announce from the list of names in her hand whether or not I was for shock treatment, the new and fashionable means of quieting people and of making them realize that orders are to be obeyed and floors are to be polished without anyone protesting and faces are to be made to be fixed into smiles and weeping is a crime.”
—Janet Frame (b. 1924)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)
“Don’t you go believing in sayings, Picotee: they are all made by men, for their own advantages. Women who use public proverbs as a guide through events are those who have not ingenuity enough to make private ones as each event occurs.”
—Thomas Hardy (1840–1928)
“Most of those who make collections of verse or epigram are like men eating cherries or oysters: they choose out the best at first, and end by eating all.”
—Sébastien-Roch Nicolas De Chamfort (1741–1794)