Feminist Film Theory

Feminist film theory is theoretical film criticism derived from feminist politics and feminist theory. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings.

Read more about Feminist Film Theory:  History, List of Notable Feminist Film Theorists and Critics

Famous quotes containing the words feminist, film and/or theory:

    “The belief that established science and scholarship—which have so relentlessly excluded women from their making—are “objective” and “value-free” and that feminist studies are “unscholarly,” “biased,” and “ideological” dies hard. Yet the fact is that all science, and all scholarship, and all art are ideological; there is no neutrality in culture!”
    —Adrienne Rich (b. 1929)

    “Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
    —David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    “A theory of the middle class: that it is not to be determined by its financial situation but rather by its relation to government. That is, one could shade down from an actual ruling or governing class to a class hopelessly out of relation to government, thinking of gov’t as beyond its control, of itself as wholly controlled by gov’t. Somewhere in between and in gradations is the group that has the sense that gov’t exists for it, and shapes its consciousness accordingly.”
    —Lionel Trilling (1905–1975)