Felicity Kendal - Early Life and Career

Early Life and Career

Felicity Kendal was born in Olton, Warwickshire (now West Midlands), England, in 1946, and is the younger daughter of Geoffrey Kendal and his wife Laura (née Liddell). Her elder sister, Jennifer Kendal, also became an actress. Their father, Geoffrey, was an English actor-manager who made his living leading a repertory company on tours of India after the Second World War. They would perform Shakespeare before royalty one day, and in rough rural villages the next where audiences included many schoolchildren. Her father had adopted his birthplace of Kendal, (then Westmorland now Cumbria), as his stage name, his original surname being Bragg. Felicity Kendal was educated at six convents in India.

Kendal made her stage debut aged nine months, when she was carried on stage as a changeling boy in A Midsummer Night's Dream. Later she started her career proper at the age of 19 and starred in the Merchant Ivory film, Shakespeare Wallah (1965), loosely based on her family's real-life experiences. At 21, Kendal returned to Britain against her father's wishes, where she found that her film appearance was not a passport to immediate success. She made her London stage debut in Minor Murder (1967), and went on to star in a number of well regarded plays.

Read more about this topic:  Felicity Kendal

Famous quotes containing the words early, life and/or career:

    I do not know that I meet, in any of my Walks, Objects which move both my Spleen and Laughter so effectually, as those Young Fellows ... who rise early for no other Purpose but to publish their Laziness.
    Richard Steele (1672–1729)

    If I had no duties, and no reference to futurity, I would spend my life in driving briskly in a post-chaise with a pretty woman.
    Samuel Johnson (1709–1784)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)