Theatre
| Year | Title | Notes |
|---|---|---|
| 1982 | A Taste of Honey as Joe | Stage Theatre, New York City |
| 1986 | Been Taken as Jill | 18th Street Playhouse, New York City |
| 1988 | Speed the Plow as Karen | Royale Theatre |
| 1988 | Boys' Life as Maggie | Mitzi E. Newhouse Theatre, New York City |
| 1989 | Bobby Gould in Hell | Lincoln Center Theater |
| 1990 | Grotesque Love Songs | New York City |
| 1994 | Shaker Heights | New York City |
| 1995 | Dangerous Corner | off-Broadway production |
| 1995–1996 | The Cryptogram as Donny | American Repertory Theatre, Cambridge, Massachusetts off-Broadway production |
| 1997 | The Joy of Going Somewhere Definite as Marie | Atlantic Theater Company, New York City |
| 1999 | Boston Marriage as Anna | American Repertory Theatre, Hasty Pudding Theatre, Cambridge, Massachusetts |
| 1999 | Oh, Hell! as Glenna | Lincoln Center, New York City |
| 2000 | The Loop | New York City |
| 2000 | Jake’s Women | Old Globe Theatre |
| 2000 | Three Sisters | Philadelphia Festival Theatre |
| 2012 | November | Mark Taper Forum |
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Famous quotes containing the word theatre:
“The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
—David Hare (b. 1947)
“If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinema ... has access to an alogical or discontinuous use of space.”
—Susan Sontag (b. 1933)
“Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (1842–1910)