Federal Duck Stamp Contest: A History
The first Federal Duck Stamp, designed by Jay "Ding" Darling in 1934 at President Franklin D. Roosevelt's request, depicts two mallards about to land on a marsh pond. In subsequent years, other noted wildlife artists were asked to submit designs. The first contest in 1949 was open to any U.S. artist who wished to enter. Sixty-five artists submitted 88 design entries that first year. The number of entries rose to 2,099 in 1981. One artist, Maynard Reece from Arnolds Park, Iowa, has won the competition a record five times as of 2011, winning in 1948, 1951, 1959, 1969 and 1971. This is the only art competition of its kind sponsored by the U.S. Government.
A panel of noted art, waterfowl, and philatelic authorities is appointed by the Secretary of the Interior to judge each competition. Winners receive no compensation for their work, other than a pane of stamps carrying their design. Winning artists may sell prints of their designs, which are sought after by hunters, conservationists, and art collectors.
The U.S. Fish and Wildlife Service mails contest regulations to interested artists each spring. Artists may choose their own medium and designs may be in black-and-white or full color, and must measure 10 inches wide by 7 inches high.
Read more about this topic: Federal Duck Stamp
Famous quotes containing the words federal, duck, stamp and/or history:
“If the federal government had been around when the Creator was putting His hand to this state, Indiana wouldn’t be here. It’d still be waiting for an environmental impact statement.”
—Ronald Reagan (b. 1911)
“Alice: I put swimsuits in boxes six days a week.
George: Yeah. What about Sunday? Maybe then you put yourself in a swimsuit.
Alice: Oh, not me.
George: Why? You don’t look good in a swimsuit?
Alice: Sure I do. I can’t swim.
George: You’re kidding.
Alice: I never learned. I was even scared of the duck pond when I was a kid.”
—Michael Wilson (1914–1978)
“I look around me and nowhere do I see a stamp of disapproval with which nature marked a woman’s candid brow.”
—Franz Grillparzer (1791–1872)
“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
—Walter Bagehot (1826–1877)