Horror Films and King Kong
After leaving Paramount, Wray signed to various film companies. It was under these deals that Wray was cast in various horror films, including Doctor X. However, her greatest known films were produced under her deal with RKO Radio Pictures, Inc.. Her first film under RKO was The Most Dangerous Game (1932), co-starring Joel McCrea and shot at night on the same jungle sets that were being used for King Kong during the day, with the leads from both films, Wray and Robert Armstrong, appearing in both movies.
The Most Dangerous Game was followed by Wray's most memorable film, King Kong. According to Wray, Jean Harlow had been RKO's original choice, but because MGM put Harlow under exclusive contract during the pre-production phase of the film, she became unavailable and Wray was approached by director Merian C. Cooper to play the role of Ann Darrow, the blonde captive of King Kong. Wray was paid $10,000 dollars to play the role. The film was a commercial success. Wray was reportedly proud that the film saved RKO from bankruptcy. Wray's role would become the one with which she would be most associated. For her appearances in various horror films, many have considered Wray the first "scream queen".
Read more about this topic: Fay Wray
Famous quotes containing the words horror and/or films:
“not that horror was not, not that the killings did not continue,
not that I thought there was to be no more despair,
but that as if transparent all disclosed
an otherness that was blessèd, that was bliss.
I saw Paradise in the dust of the street.”
—Denise Levertov (b. 1923)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)