Film and Television
Compton's film work is not as well known as her stage appearances. She appeared in more than forty films between 1914 and 1970. Her most popular performances in films are Odd Man Out (1947), Laughter in Paradise (1951) Orson Welles' Othello (1952) and The Haunting (1963).
Among her television performances, she appeared in 1965 with Michael Hordern in the television play, Land of My Dreams by Clive Exton. One of her last major roles was as Aunt Ann in the BBC's 1967 television adaptation of The Forsyte Saga.
She had a successful career in the radio, television and gramophone recordings.
Distinguished figures such as Alec Guinness, John Le Mesurier, Jan Sterling, Sally Gray, Joe Mitchenson and Elton Hayes, developed their acting career in her "Fay Compton School of Dramatic Arts".
Read more about this topic: Fay Compton
Famous quotes containing the words film and, film and/or television:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
Their little knowledge bringing them nearer to their ignorance,
Ignorance bringing them nearer to death,
But nearness to death no nearer to God.”
—Sean O’Casey (1884–1964)
“Laughter on American television has taken the place of the chorus in Greek tragedy.... In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.”
—Jean Baudrillard (b. 1929)