Style
Fast Forward was noted for its fast paced satirical comedy which particularly lampooned the media, in particular film and TV, with its precise parodies of well known television shows (such as Kung Fu, Lost In Space, The Munsters, A Current Affair), personalities (such as Clive James, Jana Wendt, Hinch, Geoffrey Robertson) and commercials (such as Amex, Nescafe) .
It subjects were also Australian politics which it attacked through various political impersonations ( including John Howard, Paul Keating), and also using the political puppets, Rubbery Figures, previously seen in small segments on the ABC, and based was based on Peter Nicholsons political cartoons.
Another key distinguishing feature was the use of simulated channel surfing to switch from sketch to sketch, often in the middle of a sketch, sometimes after the punchline. Particularly a sketch would abruptly switch to a momentary segment of static, followed by another sketch, simulating the effect of the viewer repeatedly switching channels. The channel surfing device became a distinctive hallmark of the show that helped move quickly from sketch to sketch.
The television and multimedia subject matter of the sketches, pace, style and devices were real points of difference from predecessor sketch comedy shows of the time, particularly earlier shows such as The Mavis Bramston Show, The Naked Vicar Show, Australia You're Standing In It, The D-Generation, The Comedy Company : Fast Forward was more media-focused and parody-focused; a real difference, and the binding force for the whole show, was the now-famous channel changing device. The white noise and on-screen static that represented the channel change became the modern television equivalent of a curtain being drawn at an old-fashioned vaudeville show.
Fast Forward was also well known for its excellent musical parodies, particularly of current music video clips, many of which featured Gina Riley. Some of the better known music parodies included ABBA, Cher and Dannii Minogue.
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Famous quotes containing the word style:
“A cultivated style would be like a mask. Everybody knows it’s a mask, and sooner or later you must show yourself—or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.”
—Katherine Anne Porter (1890–1980)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)