Farley Mowat - Literary Career

Literary Career

Returning to Canada after the war, Mowat studied biology at the University of Toronto. During a field trip to Northern Canada, Mowat became outraged at the plight of the Ihalmiut, a Caribou Inuit band, which situation he attributed to misunderstanding by whites. His outrage led him to publish his first novel, People of the Deer (1952). This book made Mowat a literary celebrity and contributed to the shift in the Canadian government's Inuit policy: the government began shipping meat and dry goods to a people they previously denied existed.

This work was followed by a Governor General's Award-winning children's book, Lost in the Barrens (1956), which was about two teenagers — one white, one Cree — lost in the Arctic. The children are able to combine their skills to survive for part of the winter but, ultimately, they almost die before being saved by an Inuit boy whose knowledge of the Arctic supplements their skills.

Mowat followed up these works with a series of personal memoirs. The Regiment (1955) is a skillful and — unusual for military regimental histories of that era — highly readable account of the regiment he had served in during the Second World War. The Dog Who Wouldn't Be (1957) and Owls in the Family (1961) are humorous memoirs about his childhood.

During this period, Mowat also wrote two non-fiction accounts of the exploits of salvage tugs belonging to Foundation Maritime. The first, The Grey Seas Under (1958), chronicles the career of the tug Foundation Franklin, and the second, The Serpent's Coil (1961), chronicles the rescue of the British freighter Leicester in the face of two hurricanes by the tugs Foundation Josephine and Foundation Lillian.

In 1963, Mowat wrote a possibly fictionalised account of his experiences in the Canadian Arctic with Arctic wolves entitled Never Cry Wolf, which is thought to have been instrumental in changing popular attitudes on the canids. The work and its claims have been criticised.

Mowat then went through a phase of being very interested in Viking voyages to Canada, which resulted in the books West-Viking (1965), a controversial and largely debunked analysis of the Norse sagas trying to pin their accounts to specific Canadian geography, and The Curse of the Viking Grave (1968).

Mowat then moved to Burgeo, Newfoundland, where he lived for 8 years. He published three books describing his evolving view of his Newfoundland neighbours: in The Rock Within the Sea (1968), he presents Newfoundlanders as a heroic people uncorrupted by modern technology; The Boat Who Wouldn't Float (1969) reflects his disillusionment with a few Newfoundlanders; and, completing his disillusionment, A Whale for the Killing (1972) presents the shooting of a trapped and doomed whale as an inhumane tragedy. He was also co-author for the 1981 film version with Peter Strauss and Richard Widmark.

Mowat published a denunciation of "the destruction of animal life in the north Atlantic" entitled Sea of Slaughter in 1984. In 1985, as a part of the promotional tour for this book, Mowat accepted an invitation to speak at a university in Chico, California. However, U.S. customs officials at Lester B. Pearson International Airport in Toronto denied Mowat entry to the United States. They wouldn't tell him why specifically, but did tell him that it was because of a security file about him that indicated he should be denied entry "for violating any one of 33 statutes." Reportedly, these statutes included being a member of certain groups considered radical at that time by the U.S. government. The result was a media circus, which brought worldwide attention to Mowat. The negative publicity eventually forced the Reagan Administration to decide that Mowat was free to visit the United States but Mowat declined on the basis that he thought to accept it would be undignifying as the allowance was valid for only one visit—his book tour. Mowat documented the reasons why he was refused entry to the United States in his 1985 book, My Discovery of America.

Then, Mowat became very interested in Dian Fossey, the American ethologist who studied gorillas and was brutally murdered in Rwanda in 1985. Mowat published two books about Fossey: Virunga: The Passion of Dian Fossey (1987) and Woman in the Mists (1987) — an allusion to Fossey's book Gorillas in the Mist (1983).

In the 1990s and 2000s, Mowat's works have mainly consisted of recombinations of themes he had previously dealt with. He returns to his World War II military service in My Father's Son (1992), and to his childhood in Born Naked (1993). He returns to the Canadian Arctic in High Latitudes: An Arctic Journey (2002) (an account of a 1966 trek in northern Canada) and No Man's River (2004) (an account of an Arctic adventure he took amongst the Ihalmiut in 1947). In Rescue the Earth: Conversations (1990), Mowat continued his work as an environmental advocate. In The Farfarers (2000), Mowat returned to the theme of pre-Columbian interactions between Europe and North America. In Bay of Spirits: A Love Story (2006) he returns to stories from his travels to St. Pierre and the southwest coast of Newfoundland in the early 1960s. These events have already led to This Rock Within the Sea: A Heritage Lost (1968), The Boat Who Wouldn't Float (1969), and A Whale for the Killing (1972). However, the 2006 effort adds many new personal details as well as fresh accounts of sailing the southwest coast and meeting its inhabitants that were not included in the previous works from that time period in his life.

Mowat and his wife, Claire, currently live in Port Hope, Ontario. They spend their summers on a farm in Cape Breton, Nova Scotia.

Read more about this topic:  Farley Mowat

Famous quotes containing the words literary and/or career:

    A literary woman’s best critic is her husband ...
    Elizabeth Stuart Phelps (1844–1911)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)