Fantasy Film

Fantasy Film

Fantasy films are films with fantastic themes, usually involving magic, supernatural events, make-believe creatures, or exotic fantasy worlds. The genre is considered to be distinct from science fiction film and horror film, although the genres do overlap. Fantasy films often have an element of magic, myth, wonder, escapism, and the extraordinary.

In fantasy films, the hero often undergoes some kind of mystical experience and must ask for assistance from powerful, superhuman forces. Ancient Greek mythological figures or Arabian Nights-type narratives are the typical storylines. Flying carpets, magic swords and spells, dragons, and ancient religious relics or objects are common elements. Bizarre and imaginary, invented lands include sci-fi worlds, fairy tale settings or other whimsical locales are common settings.

Usually, the main characters in fantasies are princes or princesses. Some fantasy-type films might also include quasi-religious or supernatural characters such as angels, lesser gods, fairies or in the case of live action/animation hybrids cartoon characters. Or they include gnomes, dwarves and elves. Strange phenomena and incredible characters (like monstrous characters that are divine or evil spirits or magicians and sorcerers) are put into fantasy films, and often overlap with supernatural films.

Fantasy films are most likely to overlap with the film genres of science fiction and horror. When the narrative of a fantasy film tends to emphasize advanced technology in a fantastic world, it may be considered predominantly a science fiction film. Or when the supernatural/fantasy forces are specifically intended to frighten the audience, a fantasy film falls more within the horror genre.

Read more about Fantasy Film:  Genre Definition, Subgenres, Fantasy Movies and The Film Industry, History

Famous quotes containing the words fantasy and/or film:

    The traditional American husband and father had the responsibilities—and the privileges—of playing the role of primary provider. Sharing that role is not easy. To yield exclusive access to the role is to surrender some of the potential for fulfilling the hero fantasy—a fantasy that appeals to us all. The loss is far from trivial.
    Faye J. Crosby (20th century)

    All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They’re obliged to overstate their own importance.
    François Truffaut (1932–1984)