Harbor Light Story Fashion Lala Yori
The original OVA was very different than the final series, being a retelling of Cinderella. In it, the heroine, Miho, a little girl who dreams of being a fashion designer, lives with her aunt and three cousins while her father is away on business. The aunt, who runs a dress shop, exploits Miho's dependence and makes her perform deliveries on her bike, while spoiling her own daughters. Of the three, the two oldest are cruel and mock Miho's dreams, but the youngest is nice to her. A local disco is holding a contest to find the next "Disco Queen." Miho is too young to enter, but decides to design a dress for her cousin. When the aunt finds out, she rips up the dress. After everyone leaves, two fairies take pity on Miho and transform her into "Fashion Lala," a sixteen year old blonde, so she can enter the contest herself. While performing, Miho's outfit changes into her previous designs, and it seems that she wins. At the end, she returns to a happy life with her father.
The heroine being named Miho and the two fairies, as well as the concept of an "evil cousin", were the only things retained for the final series.
Read more about this topic: Fancy Lala
Famous quotes containing the words harbor, light, story and/or fashion:
““When was I ever anything but kind to him?
But I’ll not have the fellow back,” he said.
“I told him so last haying, didn’t I?
‘If he left then,’ I said, ‘that ended it.’
What good is he? Who else will harbor him
At his age for the little he can do?”
—Robert Frost (1874–1963)
“The wonder of light is your familiar tale,
Pert wench, down to the nineteenth century:
Mr. Rimbaud the Frenchman’s apostasy
Asserts the argument that you are stale,
Flat and unprofitable, importunate but pale,
Lithe Corpse!”
—Allen Tate (1899–1979)
“Today one does not hear much about him.... The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates.”
—Vladimir Nabokov (1899–1977)
“Fashion is primitive in its insistence on exhibitionism, which withers in isolation. The catwalk fashion show with its incandescent hype is its apotheosis. A ritualized gathering of connoiseurs and the spoilt at a spotlit parade of snazzy pulchritude, it is an industrialized version of the pagan festivals of renewal. At the end of each seasonal display, a priesthood is enjoined to carry news of the omens to the masses.”
—Stephen Bayley (b. 1951)