Roles
| Role | Voice type | Premiere cast, 9 February 1893 (Conductor: Edoardo Mascheroni) |
|---|---|---|
| Sir John Falstaff, a fat knight | baritone | Victor Maurel |
| Ford, a wealthy man | baritone | Antonio Pini-Corsi |
| Alice Ford, his wife | soprano | Emma Zilli |
| Nannetta, their daughter | soprano | Adelina Stehle |
| Meg Page | mezzo-soprano | Virginia Guerrini |
| Mistress Quickly | contralto | Giuseppina Pasqua |
| Fenton, one of Nannetta's suitors | tenor | Edoardo Garbin |
| Dr Caius | tenor | Giovanni Paroli |
| Bardolfo, a follower of Falstaff | tenor | Paolo Pelagelli-Rossetti |
| Pistola, a follower of Falstaff | bass | Vittorio Arimondi |
| Mine Host of the Garter Inn | Silent | Attilio Pulcini |
| Robin, Falstaff's page | Silent |
Read more about this topic: Falstaff (opera)
Famous quotes containing the word roles:
“Modern women are squeezed between the devil and the deep blue sea, and there are no lifeboats out there in the form of public policies designed to help these women combine their roles as mothers and as workers.”
—Sylvia Ann Hewitt (20th century)
“Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each other’s participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.”
—Sara Lawrence Lightfoot (20th century)
“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
—Ellen Lewis (20th century)