In Art
Orson Welles' F for Fake is a prime example of a film which is both about falsification (art forgery and the journalism surrounding art forgery) as well as having falsified moments within the film. The movie follows the exploits of a famous art forger, his biographer Clifford Irving, and the subsequent fake autobiography of Howard Hughes that Irving tries to publish. The issues of veracity and forgery are explored in the film, while at the same time, Welles tricks the audience by incorporating fake bits of narrative alongside the documentary footage.
Another artist who has run afoul of the technique is the artist JSG Boggs, whose life and work have been extensively explored by author and journalist Lawrence Weschler. Boggs draws currency with exceptional care and accuracy, but he only ever draws one side. He then attempts to buy things with the piece of paper upon which he has drawn the currency. His goal is to pass each bill for its face value in common transactions. He buys lunch, clothes, and lodging in this manner, and after the transactions are complete, his bills fetch many times their face value on the art market. Boggs does not make any money from the much larger art market value of his work, only from reselling the goods bought, the change and receipts and other such materials. He has been arrested in many countries, and there is much controversy surrounding his work.
Mostly, however, the technique is employed in more mundane ways that hark back to its nineteenth-century origins. Whether a particular piece of art is a false document, or is using false documentary techniques in a central way, is arguable. Usually, the character and extent of the use is examined.
Read more about this topic: False Document
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