Plays and Dramatic Productions On Faiz
- Sheeshon ka Maseeha by Omer Khawaja and Shabana Azmi.
- Dard Aayega Dabe Paon by Sheela Bhatiya.
- Kuchh Ishq kiya Kuchh Kaam written by Danish Iqbal and staged by IPTA Delhi. This multi-media Stage Production is being premiered at Sri Ram centre, New Delhi on 11 November 2011. This Play is basically a Celebration of the Faiz's Poetry and featuring events from the early part of his life, particularly the events and incidents of pre-partition days which shaped his life and ideals. Directed by K K Kohli this musical Production featured Artists like Shamir Abadan, Jaishri Sethi, Dr Naseem, Izhar, Minhaj, Prateek Kapoor, Twinkle Khanna and Amit Bajaj in lead roles. This script is the first part of Faiz trilogy written by Danish Iqbal at the occasion of Faiz Centenary Celebrations.
- Chand Roz Aur Meri Jaan – A dramatised reading of Faiz's letter and letters written by his wife Alys Faiz. This Production was initially done at the start of his birth centenary celebrations at India Habitat Center, New Delhi by Danish Iqbal and Salima Raza. 'Chand Roz Aur Meri Jaan' was also done at Amritsar Faiz Festival organised by Preet Ladi, at Punjab Natshala, Amritsar, on 6 October 2011. This time it was done by Suchitra Gupta and Danish Iqbal.
- 2011 Drama Festival of Delhi Urdu Academy is basically devoted to Productions about Faiz. Apart from 'Kuchh Ishq kiya Kuchh Kaam' by IPTA, Delhi and 'Chand Roz Aur Meri Jaan' by Wings Cultural Society, this Festival will also feature Plays by Peirreot's Troupe on Faiz, namely 'Jo Dil Pe Guzarti Hai'. The festival also presented, for the first time on stage 'Tera Bayaan Ghalib', directed by Dr Hadi Sarmadi and performed by Bahroop Arts Group, which was an adaptation of one of Faiz's few plays for the radio.
Read more about this topic: Faiz Ahmad Faiz
Famous quotes containing the words plays, dramatic and/or productions:
“The rain makes still pools on the sidewalk.
The rain makes running pools in the gutter.
The rain plays a little sleep-song on our roof at night—”
—Langston Hughes (1902–1967)
“As a particularly dramatic gesture, he throws wide his arms and whacks the side of the barn with the heavy cane he uses to stab at contesting bidders. With more vehemence than grammatical elegance, he calls upon the great god Caveat Emptor to witness with what niggardly stinginess these flinty sons of Scotland make cautious offers for what is beyond any question the finest animal ever beheld.”
—Administration in the State of Arka, U.S. public relief program (1935-1943)
“It is well known, that the best productions of the best human intellects, are generally regarded by those intellects as mere immature freshman exercises, wholly worthless in themselves, except as initiatives for entering the great University of God after death.”
—Herman Melville (1819–1891)