Faith Ringgold - Publications By Faith Ringgold

Publications By Faith Ringgold

  • Tar Beach, Crown Publishing Company, New York, New York, 1991. ISBN 978-0-517-88544-4
  • Aunt Harriet's Underground Railroad in the Sky, Random House, Crown Publishers, New York, New York. ISBN 978-0-517-88543-7
  • Dinner at Aunt Connie’s House, Hyperion Books For Children, New York, New York. ISBN 978-0-590-13713-3
  • We Flew Over The Bridge: Memoirs of Faith Ringgold, Little, Brown and Company, Boston, Mass., 1995, Duke University Press, Durham, NC, 2005. ISBN 978-0-8223-3564-1
  • Talking To Faith Ringgold, by Faith Ringgold, Linda Freeman and Nancy Roucher, Crown Books for Young Readers, New York, New York, 1996. ISBN 978-0-517-70914-6
  • 7 Passages To A Flight, an artist’s book, Brighton Press, San Diego, California.
  • Bonjour Lonnie, Hyperion Books for Young Readers, New York, NY, 1996. ISBN 978-0-7868-0076-6
  • My Dream of Martin Luther King, Crown Books for Young Readers, New York, NY. ISBN 978-0-517-88577-2
  • The Invisible Princess, Crown Books for Young Readers, New York, NY. ISBN 978-0-440-41735-4
  • If a Bus Could Talk, Simon and Schuster, New York, NY, 1999. ISBN 978-0-689-85676-1
  • Counting to Tar Beach, Crown, New York, NY, 2000. ISBN 978-0-517-80022-5
  • Cassie's Colorful Day, Crown, New York, NY, 2000. ISBN 978-0-517-80021-8
  • Cassie's Word Quilt, Crown, New York, NY, 2001. ISBN 978-0-553-11233-7
  • O Holy Night: Christmas with the Boys Choir of Harlem, Harper Collins, New York, 2004. ISBN 978-1-4223-5512-1
  • The Three Witches by Zora Neale Hurston illustrated by Faith Ringgold, Harper Collins, 2005. ISBN 978-0-06-000649-5
  • Bronzeville Boys and Girls (poetry) by Gwendolyn Brooks illustrated by Faith Ringgold Harper Collins, NYC, 2007. ISBN 978-0-06-029505-9
  • What Will You Do for Peace? Impact of 9/11 on New York City Youth, InterRelations Collaborative, Inc., 2004. ISBN 978-0-9761753-0-8

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Famous quotes containing the words publications, faith and/or ringgold:

    Dr. Calder [a Unitarian minister] said of Dr. [Samuel] Johnson on the publications of Boswell and Mrs. Piozzi, that he was like Actaeon, torn to pieces by his own pack.
    Horace Walpole (1717–1797)

    How strange a scene is this in which we are such shifting figures, pictures, shadows. The mystery of our existence—I have no faith in any attempted explanation of it. It is all a dark, unfathomed profound.
    Rutherford Birchard Hayes (1822–1893)

    No other creative field is as closed to those who are not white and male as is the visual arts. After I decided to be an artist, the first thing that I had to believe was that I, a black woman, could penetrate the art scene, and that, further, I could do so without sacrificing one iota of my blackness or my femaleness or my humanity.
    —Faith Ringgold (b. 1934)