Production
Each week rehearsals for the four episodes take place on Saturday and Monday. From Tuesday to Friday, the interior scenes are recorded on two RTÉ sound stages. The schedule runs from 08:00 to 18:30. The exterior scenes are filmed on Thursday and Friday either on the lot within the grounds of the RTÉ headquarters, or in various locations in Dublin. The series is planned in blocks of 16 episodes. The first stage is the development of story and plot, which is done by a team of writers. Once the stories have been fleshed out and agreed, a scene breakdown is created. The episodes are then assigned to script writers, who create the dialogue and stage directions for the actors.
Running in parallel with the writing process is the production process, which includes: casting, wardrobe, make-up, design and construction of sets, purchase of props, finding locations, booking facilities, developing schedules, and other administrative tasks involved in managing a large production. From 1989 until 1994, all interior shots were filmed at Ardmore Studios in Wicklow. In 1994, the show moved to a RTÉ studio specifically adapted to cater for this flagship drama. All exterior shots were initially recorded in Drumcondra on Dublin's northside, where residents were politely asked to stay indoors during shooting. Two years later, Carrigstown moved south of the Liffey to RTÉ where set designers replicated the façades and interiors of the original houses.
The show has had four different opening sequences and three different theme songs. The opening features several scenes of contemporary Dublin, while the closing credits show a frozen image of the River Liffey.
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Famous quotes containing the word production:
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (18691940)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (18091882)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (18441900)