Production
The film was shot in black and white, in a dramatic, theater-stage-play format with claustrophobic close-ups and pondering silence occasionally between several characters. There is no musical underscoring nor is any music played in any scenes within its run. With few exceptions, the action takes place largely in the White House underground bunker, the Pentagon war conference room, the SAC war room, and a single bomber cockpit. "Real" world life is seen only after the title opening credits and in the final scene depicting an ordinary New York City day, its residents entirely unsuspecting of their imminent destruction, each scene freezing at the moment of impact. No mushroom clouds appear nor are any exterior views of buildings, areas, or cities shown.
The Soviets are never seen in the film. The progress of the attack is followed almost exclusively on giant, electronic maps overlooking the War Room in the Pentagon and SAC Headquarters. Conversations with the Soviet Premier (Russian language occasionally heard in the background on the "Hot-Line") are translated by an American interpreter (Larry Hagman). Suspense builds through dialog between the President and other officials, significantly including the character representing the advisor to the Department of Defense, Prof. Groeteschele (Walter Matthau), an old college ally, General Black (Dan O'Herlihy), and, most importantly, SAC commander General Bogan (Frank Overton).
The "Vindicator" bombers (an invention of the novelists) are represented in the film by sometimes stock footage of a real U.S. aircraft, the Convair B-58 Hustler, shown in negative. Fighters sent to attack the bombers are illustrated by film clips of the Lockheed F-104 Starfighter, Convair F-102 Delta Dagger and McDonnell F-101 Voodoo. Stock footage was used inasmuch as the United States Air Force declined to cooperate with the film's producers fearful of possible negative publicity from a fictional plot predicated on an inability to positively control its forces.
Read more about this topic: Fail-Safe (1964 film)
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)