Production
The film was shot in black and white, in a dramatic, theater-stage-play format with claustrophobic close-ups and pondering silence occasionally between several characters. There is no musical underscoring nor is any music played in any scenes within its run. With few exceptions, the action takes place largely in the White House underground bunker, the Pentagon war conference room, the SAC war room, and a single bomber cockpit. "Real" world life is seen only after the title opening credits and in the final scene depicting an ordinary New York City day, its residents entirely unsuspecting of their imminent destruction, each scene freezing at the moment of impact. No mushroom clouds appear nor are any exterior views of buildings, areas, or cities shown.
The Soviets are never seen in the film. The progress of the attack is followed almost exclusively on giant, electronic maps overlooking the War Room in the Pentagon and SAC Headquarters. Conversations with the Soviet Premier (Russian language occasionally heard in the background on the "Hot-Line") are translated by an American interpreter (Larry Hagman). Suspense builds through dialog between the President and other officials, significantly including the character representing the advisor to the Department of Defense, Prof. Groeteschele (Walter Matthau), an old college ally, General Black (Dan O'Herlihy), and, most importantly, SAC commander General Bogan (Frank Overton).
The "Vindicator" bombers (an invention of the novelists) are represented in the film by sometimes stock footage of a real U.S. aircraft, the Convair B-58 Hustler, shown in negative. Fighters sent to attack the bombers are illustrated by film clips of the Lockheed F-104 Starfighter, Convair F-102 Delta Dagger and McDonnell F-101 Voodoo. Stock footage was used inasmuch as the United States Air Force declined to cooperate with the film's producers fearful of possible negative publicity from a fictional plot predicated on an inability to positively control its forces.
Read more about this topic: Fail-Safe (1964 film)
Famous quotes containing the word production:
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
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“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)