In a deck of playing cards, the term face card is generally used to describe a card that depicts a person. Cards depicting persons were developed in Europe, possibly in the late 14th century; it is believed that earlier sets of cards included "court cards" that showed abstract designs instead of people.
Europeans changed the court cards to represent European royalty and attendants, thereby forming the original face cards: king, chevalier, and knave (or servant).
A deck of French playing cards has the following face cards:
- Jack
- Queen
- King
A deck of Italian playing cards has the following face cards (which are worth 10, 9 and 8 respectively, as there are only 10 cards per suit):
- King/Re - a man standing, wearing a crown
- Knight/Horseman/Cavaliere - a man sitting on a horse
- Jack/Fante - a younger man standing, without a crown
or (depending on the regional variant):
- King/Re - a man standing, wearing a crown
- Dame/Donna - a younger woman standing, without a crown
- Knight/Horseman/Cavaliere - a man sitting on a horse
Significance of cards being face cards (versus a "regular", "rank" or "numbered" card) varies depending on the particular game being played. Typically they are considered to be higher than the 10 and lower than the ace. Many games that ascribe numerical value, or 'points' to a face card, such as Blackjack, give all face cards a value of 10.
While modern decks of playing cards may contain a Joker (or two) depicting a person (such as a jester or clown), jokers are not normally considered to be face cards.
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Famous quotes containing the words face and/or card:
“My head gripped in bony vise
of knees, the writhing struggle
to wrench free, the blows, the fear
worse than blows that hateful
Words could bring, the face that I
no longer knew or loved. . . .”
—Robert Earl Hayden (19131980)
“Mothers are not the nameless, faceless stereotypes who appear once a year on a greeting card with their virtues set to prose, but women who have been dealt a hand for life and play each card one at a time the best way they know how. No mother is all good or all bad, all laughing or all serious, all loving or all angry. Ambivalence rushes through their veins.”
—Erma Bombeck (20th century)