Extremely high frequency is the highest radio frequency band. EHF runs the range of frequencies from 30 to 300 gigahertz, above which electromagnetic radiation is considered to be low (or far) infrared light, also referred to as terahertz radiation. Radio waves in this band have wavelengths from ten to one millimetre, giving it the name millimetre band or millimetre wave, sometimes abbreviated MMW or mmW.
Compared to lower bands, terrestrial radio signals in this band are extremely prone to atmospheric attenuation, making them of very little use over long distances. In particular, signals in the 57–64 GHz region are subject to a resonance of the oxygen molecule and are severely attenuated. Even over relatively short distances, rain fade is a serious problem, caused when absorption by rain reduces signal strength. In climates other than deserts absorption due to humidity also has an impact on propagation. While this absorption limits potential communications range, it also allows for smaller frequency reuse distances than lower frequencies. The small wavelength allows modest size antennas to have a small beam width, further increasing frequency reuse potential.
Read more about Extremely High Frequency: Propagation
Famous quotes containing the words extremely, high and/or frequency:
“To found a great empire for the sole purpose of raising up a people of customers, may at first sight appear a project fit only for a nation of shopkeepers. It is, however, a project altogether unfit for a nation of shopkeepers, but extremely fit for a nation that is governed by shopkeepers.”
—Adam Smith (1723–1790)
“It is marvelous indeed to watch on television the rings of Saturn close; and to speculate on what we may yet find at galaxy’s edge. But in the process, we have lost the human element; not to mention the high hope of those quaint days when flight would create “one world.” Instead of one world, we have “star wars,” and a future in which dumb dented human toys will drift mindlessly about the cosmos long after our small planet’s dead.”
—Gore Vidal (b. 1925)
“One is apt to be discouraged by the frequency with which Mr. Hardy has persuaded himself that a macabre subject is a poem in itself; that, if there be enough of death and the tomb in one’s theme, it needs no translation into art, the bold statement of it being sufficient.”
—Rebecca West (1892–1983)