Forces Acting On The Projectile
When in flight, the main forces acting on the projectile are gravity, drag, and if present, wind. Gravity imparts a downward acceleration on the projectile, causing it to drop from the line of sight. Drag, or the air resistance, decelerates the projectile with a force proportional to the square of the velocity. Wind makes the projectile deviate from its trajectory. During flight, gravity, drag, and wind have a major impact on the path of the projectile, and must be accounted for when predicting how the projectile will travel.
For medium to longer ranges and flight times, besides gravity, air resistance and wind, several meso variables described in the external factors paragraph have to be taken into account. Meso variables can become significant for firearms users that have to deal with angled shot scenarios or extended ranges, but are seldom relevant at common hunting and target shooting distances.
For long to very long ranges and flight times, minor effects and forces such as the ones described in the long range factors paragraph become important and have to be taken into account. The practical effects of these variables are generally irrelevant for most firearms users, since normal group scatter at short and medium ranges prevails over the influence these effects exert on firearms projectiles trajectories.
At extremely long ranges, artillery must fire projectiles along trajectories that are not even approximately straight; they are closer to parabolic, although air resistance affects this.
In the case of ballistic missiles, the altitudes involved have a significant effect as well, with part of the flight taking place in a near-vacuum.
Read more about this topic: External Ballistics
Famous quotes containing the words forces and/or acting:
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)
“Acting is the expression of a neurotic impulse. It’s a bum’s life.... The principal benefit acting has afforded me is the money to pay for my psychoanalysis.”
—Marlon Brando (b. 1924)