Relationship of EV To Lighting Conditions
The recommended f-number and exposure time for given lighting conditions and ISO speed are given by the exposure equation
where
- N is the relative aperture (f-number)
- t is the exposure time (“shutter speed”) in seconds
- L is the average scene luminance
- S is the ISO arithmetic speed
- K is the reflected-light meter calibration constant
Applied to the right-hand side of the exposure equation, exposure value is
Camera settings also can be determined from incident-light measurements, for which the exposure equation is
where
- E is the illuminance
- C is the incident-light meter calibration constant
In terms of exposure value, the right-hand side becomes
When applied to the left-hand side of the exposure equation, EV denotes actual combinations of camera settings; when applied to the right-hand side, EV denotes combinations of camera settings required to give the nominally “correct” exposure. The formal relationship of EV to luminance or illuminance has limitations. Although it usually works well for typical outdoor scenes in daylight, it is less applicable to scenes with highly atypical luminance distributions, such as city skylines at night. In such situations, the EV that will result in the best picture often is better determined by subjective evaluation of photographs than by formal consideration of luminance or illuminance.
For a given luminance and film speed, a greater EV results in less exposure, and for fixed exposure (i.e., fixed camera settings), a greater EV corresponds to greater luminance or illuminance.
Read more about this topic: Exposure Value
Famous quotes containing the words relationship, lighting and/or conditions:
“If the relationship of father to son could really be reduced to biology, the whole earth would blaze with the glory of fathers and sons.”
—James Baldwin (19241987)
“Popular art is normally decried as vulgar by the cultivated people of its time; then it loses favor with its original audience as a new generation grows up; then it begins to merge into the softer lighting of quaint, and cultivated people become interested in it, and finally it begins to take on the archaic dignity of the primitive.”
—Northrop Frye (b. 1912)
“Technological change defines the horizon of our material world as it shapes the limiting conditions of what is possible and what is barely imaginable. It erodes ... assumptions about the nature of our reality, the pattern in which we dwell, and lays open new choices.”
—Shoshana Zuboff (b. 1951)