Optimum Exposure
"Correct" exposure may be defined as an exposure that achieves the effect the photographer intended.
A more technical approach recognises that a photographic film (or sensor) has a physically limited useful exposure range, sometimes called its dynamic range. If, for any part of the photograph, the actual exposure is outside this range, the film cannot record it accurately. In a very simple model, for example, out-of-range values would be recorded as "black" (underexposed) or "white" (overexposed) rather than the precisely graduated shades of colour and tone required to describe "detail". Therefore, the purpose of exposure adjustment (and/or lighting adjustment) is to control the physical amount of light from the subject that is allowed to fall on the film, so that 'significant' areas of shadow and highlight detail do not exceed the film's useful exposure range. This ensures that no 'significant' information is lost during capture.
It is worth noting that the photographer may carefully overexpose or underexpose the photograph to eliminate 'insignificant' or 'unwanted' detail; to make, for example, a white altar cloth appear immaculately clean, or to emulate the heavy, pitiless shadows of film noir. However, it is technically much easier to discard recorded information during post processing than to try to 're-create' unrecorded information.
In a scene with strong or harsh lighting, the ratio between highlight and shadow luminance values may well be larger than the ratio between the film's maximum and minimum useful exposure values. In this case, adjusting the camera's exposure settings (which only applies changes to the whole image, not selectively to parts of the image) only allows the photographer to choose between underexposed shadows or overexposed highlights; it cannot bring both into the useful exposure range at the same time. Methods for dealing with this situation include: using some kind of fill lighting to gently increase the illumination in shadow areas; using a graduated ND filter or gobo to reduce the amount of light coming from the highlight areas; or varying the exposure between multiple, otherwise identical, photographs (exposure bracketing) and then combining them afterwards in some kind of HDRI process.
Read more about this topic: Exposure (photography)
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